Symposium

Plato
0:00 / 0:00
Prestige · $2.99/month
Chapter audio, theme analysis, and downloads

Plato
0:00 / 0:00
Apollodorus is stopped on the road from Phalerum and asked for the speeches at a supper he did not attend. Two days earlier Glaucon had already asked, and that version, passed through Phoenix, was muddled. The witness was Aristodemus, a small man who never wore shoes, and he fell asleep before the end. Plato's Symposium is that report: a night at the tragic poet Agathon's house, the day after Agathon won his first prize, retold by a man who heard it from a man who was not fully awake. The sentence later ages quote arrives in the middle of the night. The dialogue spends the rest of the evening refusing to let that sentence finish the argument.
The case has more voices than the proverb keeps. Phaedrus wants Love praised as the eldest god and the source of courage, and he brings Alcestis, Orpheus, and Achilles. Pausanias will not allow one Love: a common desire wants the body, a heavenly desire wants the soul and lasts. Eryximachus, the physician, finds that split in medicine, in music, and in the seasons. Aristophanes, recovered from a hiccough that delayed his turn, tells of people cut in two, still searching for the other half. Agathon, the host, praises the god himself as young, fair, and the cause of every virtue. Socrates does not add another hymn. He asks whether Love wants what it already has. Diotima of Mantineia is not at the table. She arrives only as a lesson he retells. Alcibiades arrives last, drunk, head flowing with ribands, and crowns Agathon without seeing the man already on the couch beside him.
The night moves by refusals, not by a single definition. The company dismisses hard drinking and sends the flute-girl away, then agrees that each guest, left to right, will praise Love as well as he can. Phaedrus makes Love a dare: an army of lovers would not desert, and a lover would rather die than be seen acting basely. Pausanias refuses a single name for desire, and ties the heavenly kind to a lasting care for the soul. Eryximachus carries the split out of the bedroom and into the body of the world. Aristophanes makes the cut so vivid that the rest of the book has to answer it: Zeus slices the old double people like an egg divided with a hair, Apollo turns the faces, and the navel is left as a memorial. Agathon's praise is the hinge. He has described Love as already complete, and Socrates shows that desire wants what it lacks. Diotima answers that Love is not a god but a great spirit, child of Plenty and Poverty, always in the gap. She then says mortals bear children in beauty, and that a soul can climb from one beautiful body toward a beauty that does not come and go. Alcibiades breaks the order with a speech that is also a confession: he wanted Socrates, and Socrates would not be possessed. At dawn the others are asleep or gone, and Socrates is still claiming that the genius of comedy and the genius of tragedy are the same.
Plato wrote the dialogue in the years after the trial and the death. He does not award the prize to one speech. He lets each case stand at full length, including the myth later ages quote as if it were the book. The frame is already a warning about that habit. Apollodorus admits he will keep only what seemed worth remembering, and what the chief speakers said. Aristodemus does not recollect all that was said. The ending is not a verdict. It is a room that will not close on the sentence people came prepared to hear, and a last claim the two poets are too drowsy to follow.
The pressure starts with a story that has already changed hands. Hearing a Story at Second Hand is Apollodorus on the road from Phalerum, and it is the witness who slept before dawn: the listener still has to name who was in the room. Love That Asks for Courage is Phaedrus on Alcestis, Orpheus, and Achilles, then Alcibiades on the ice at Potidaea, where Socrates marched with bare feet in a severe frost and pushed the prize of valour back. Two Kinds of Desire is Pausanias refusing one Love, then Eryximachus finding the common and the heavenly in the body and the seasons. The Missing Half is the cut Aristophanes makes so memorable that it becomes the proverb the later speeches will not leave standing. Wanting What You Lack is the question that stops Agathon, and Diotima's refusal to call Love a god. Climbing Past Possession is the ladder she names after the lesser mysteries, and Alcibiades, who wanted Socrates and did not get him. One night, and the proverb is not allowed to finish it.
Wide Reads follows the twelve speeches with summaries, quotes, and audio. The image to keep is not the other half. It is Alcibiades at the door, holding the ribands in front of his eyes, crowning Agathon, and sitting down beside Socrates without seeing him.
A companion asks Apollodorus for the speeches in praise of love at Agathon's supper. He has already ...
Phaedrus calls Love a mighty god because he is the eldest. No poet or prose writer has given him par...
Pausanias says Phaedrus praised Love in the wrong form. If there were only one, the speech would do....
Pausanias stops. Aristophanes should speak next, but the hiccough, from too much food or some other ...
Aristophanes praises Love unlike Pausanias or Eryximachus. People have never understood Love's power...
Socrates tells Eryximachus that anyone waiting to speak after Agathon would be in a great strait. Ag...
Published -385
Plato (c. 428-348 BC) was an Athenian who knew Socrates as a young man and spent the rest of his life writing the conversations the city had cut short. The supper in the Symposium is set in 416 BC, the year Agathon won his first tragic prize, but the dialogue was written later, after the trial of 399. Plato does not hand the night one definition of love. He lets Phaedrus, Pausanias, Eryximachus, Aristophanes, and Agathon each make a full case, then gives Socrates the turn that questions them, and gives Diotima of Mantineia the lesson Socrates will not claim as his own.
He founded the Academy outside the city wall and wrote philosophy as staged talk rather than a finished lecture. Benjamin Jowett's nineteenth-century English is the public-domain translation used here. The dialogue still finds people who know the missing half by proverb and have not stayed for the speech that answers it. A memorable speech is not the same as the last one.
Plato speaks to the moment a room has already agreed on the story of love before the night is over: the proverb that a person is only half until they find the other, the toast that praises desire as already complete, the late guest who tries to buy what will not be sold. The Symposium names that pressure at Agathon's victory supper, retold years later by a man who was not in the room.
What makes him indispensable here is that he was writing after the death. The Apology keeps the courtroom. The Symposium keeps the supper, and it will not let the most memorable speech be the last one. Aristophanes' cut is allowed to stand at full length. Then Socrates asks whether Love wants what it already has, and Diotima of Mantineia, a woman not at the table, answers that Love is a spirit in the gap, not a god who already possesses the good.
Plot, characters, and themes — plus audio, source text, and patterns you can use after class
Two ways in
Chapter by chapter, with audio. The meaning arrives because you experienced it — not because someone listed bullet points.
Start with this.
The actual words the author wrote, alongside every summary. Use the guide, then step into the source.
Then step into the source.
Either way, the door opens inward.
— and most of all, Why does this matter?
Purchase the complete book to access all chapters and support classic literature
Available in paperback, hardcover, and e-book formats
Free to read • No account required

Weekly insights from the classics. Amplify Your Mind.
We focus on public domain classics because these timeless works belong to everyone. No paywalls, no restrictions—just wisdom that has stood the test of centuries, freely accessible to all readers.
Public domain books have shaped humanity's understanding of love, justice, ambition, and the human condition. By amplifying these works, we help preserve and share literature that truly belongs to the world.
© 2026 Wide Reads™. All Rights Reserved.
Intelligence Amplifier™ and Wide Reads™ are proprietary trademarks of Arvin Lioanag.
Copyright Protection: All original content, analyses, discussion questions, pedagogical frameworks, and methodology are protected by U.S. and international copyright law. Unauthorized reproduction, distribution, web scraping, or use for AI training is strictly prohibited. See our Copyright Notice for details.
Disclaimer: The information provided on this website is for general informational and educational purposes only and does not constitute professional, legal, financial, or technical advice. While we strive to ensure accuracy and relevance, we make no warranties regarding completeness, reliability, or suitability. Any reliance on such information is at your own risk. We are not liable for any losses or damages arising from use of this site. By using this site, you agree to these terms.
Deep dives
Hear Pausanias refuse a single Love, then watch Eryximachus carry the split into the body and the seasons.
if there were only one Aphrodite there would be only one Love; but as there are two goddesses there must be two…
Stay with Aristophanes' cut, then with the speeches that will not let that myth be the last word.
Each of us when separated, having one side only, like a flat fish, is but the indenture of a man, and he…
Trending search questions mapped to the lessons in this treatise—what readers actually ask Google about the vast sea of beauty, what seemed worth remembering, bare feet on the ice, like a flat fish, and two goddesses, two loves.
A victory supper at the tragic poet Agathon's house, retold by Apollodorus, who was not there. The guests send the flute-girl away and praise Love in turn. The witness is Aristodemus, who fell asleep before the end, and Apollodorus keeps only what seemed worth remembering. The night people quote is already a story at second hand.
Explore Hearing a Story at Second HandHe says the first people were round and double, and Zeus cut them in two, leaving the navel as a memorial. Each person is like a flat fish, always looking for the other half. Plato lets the myth stand at full length. He does not let it finish the night. Socrates later shows that love wants what it lacks, and Diotima's ladder will not stop at one face.
Explore The Missing HalfPausanias refuses to praise Love as if there were only one. Two goddesses mean two Loves: a common desire that wants the body, and a heavenly desire that wants the soul and lasts. Eryximachus then finds that split in the body, in music, and in the seasons. The distinction is useful. The physician's reach is the warning.
Explore Two Kinds of DesireAfter birth in beauty, she names the lesser mysteries. The climb starts with one beautiful body, then beautiful practices and souls, until the lover contemplates the vast sea of beauty. One person can be a true beginning. Treating that person as the whole of beauty is where the climb stops too soon.
Explore Climbing Past PossessionHe arrives drunk, ribands flowing, holds them in front of his eyes, and crowns Agathon without seeing Socrates already on the couch. He praises Socrates as a Silenus figure no one can possess, tells of bare feet on the ice at Potidaea, and warns Agathon not to learn the refusal by experience. A larger gift does not buy the no.
Explore Love That Asks for CourageSix lessons run through the night: hear a story at second hand and name who was in the room; treat love as a demand for courage, not only a toast; split desire into the kind that lasts and the kind that does not; do not let the missing half finish the argument; name the lack under a finished praise; and climb past possession of one person. Those skills, not the proverb alone, are why the dialogue still answers modern searches.
Popular talk still quotes the missing half and stops. Plato is the correction. He shows courage asked of lovers, two desires under one name, a want that is not a defect, and a climb that does not end in owning a person. Anyone who has repeated a famous line and later found the book spending the rest of the evening against that line is reading the habit this dialogue was built to interrupt.