SymposiumStudy Guide

Apollodorus is stopped on the road from Phalerum and asked for the speeches at a supper he did not attend. Two days earlier Glaucon had already asked, and that version, passed through Phoenix, was muddled. The witness was Aristodemus, a small man who never wore shoes, and he fell asleep before the end. Plato's Symposium is that report: a night at the tragic poet Agathon's house, the day after Agathon won his first prize, retold by a man who heard it from a man who was not fully awake. The sentence later ages quote arrives in the middle of the night. The dialogue spends the rest of the evening refusing to let that sentence finish the argument.

The case has more voices than the proverb keeps. Phaedrus wants Love praised as the eldest god and the source of courage, and he brings Alcestis, Orpheus, and Achilles. Pausanias will not allow one Love: a common desire wants the body, a heavenly desire wants the soul and lasts. Eryximachus, the physician, finds that split in medicine, in music, and in the seasons. Aristophanes, recovered from a hiccough that delayed his turn, tells of people cut in two, still searching for the other half. Agathon, the host, praises the god himself as young, fair, and the cause of every virtue. Socrates does not add another hymn. He asks whether Love wants what it already has. Diotima of Mantineia is not at the table. She arrives only as a lesson he retells. Alcibiades arrives last, drunk, head flowing with ribands, and crowns Agathon without seeing the man already on the couch beside him.

The night moves by refusals, not by a single definition. The company dismisses hard drinking and sends the flute-girl away, then agrees that each guest, left to right, will praise Love as well as he can. Phaedrus makes Love a dare: an army of lovers would not desert, and a lover would rather die than be seen acting basely. Pausanias refuses a single name for desire, and ties the heavenly kind to a lasting care for the soul. Eryximachus carries the split out of the bedroom and into the body of the world. Aristophanes makes the cut so vivid that the rest of the book has to answer it: Zeus slices the old double people like an egg divided with a hair, Apollo turns the faces, and the navel is left as a memorial. Agathon's praise is the hinge. He has described Love as already complete, and Socrates shows that desire wants what it lacks. Diotima answers that Love is not a god but a great spirit, child of Plenty and Poverty, always in the gap. She then says mortals bear children in beauty, and that a soul can climb from one beautiful body toward a beauty that does not come and go. Alcibiades breaks the order with a speech that is also a confession: he wanted Socrates, and Socrates would not be possessed. At dawn the others are asleep or gone, and Socrates is still claiming that the genius of comedy and the genius of tragedy are the same.

Plato wrote the dialogue in the years after the trial and the death. He does not award the prize to one speech. He lets each case stand at full length, including the myth later ages quote as if it were the book. The frame is already a warning about that habit. Apollodorus admits he will keep only what seemed worth remembering, and what the chief speakers said. Aristodemus does not recollect all that was said. The ending is not a verdict. It is a room that will not close on the sentence people came prepared to hear, and a last claim the two poets are too drowsy to follow.

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