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War and Peace - The Weight of Money and Friendship

Leo Tolstoy

War and Peace

The Weight of Money and Friendship

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Summary

After Anna Mikhaylovna leaves to visit the dying Count Bezukhov, Countess Rostova sits alone, deeply affected by her friend's poverty and desperation. Her distress manifests in irritability toward her servants—a common pattern where personal stress gets displaced onto those with less power. When she asks her husband for money, we see the casual wealth of the Rostovs contrasted with Anna Mikhaylovna's struggles. The Count immediately agrees to give 500 rubles (she asks for 500, he orders 700), showing both his generosity and his disconnection from financial reality. His comment that 'everything is possible' with their steward Dmitri reveals how wealth creates a bubble where money problems simply don't exist. The chapter's emotional climax comes when Anna Mikhaylovna returns with news of Bezukhov's terrible condition. The Countess, moved by guilt and friendship, gives Anna Mikhaylovna the money for her son Boris's military outfit. Both women cry—not just from relief or gratitude, but from the painful recognition that money has intruded into their lifelong friendship. Tolstoy captures a universal truth: how financial inequality can strain even the closest relationships, creating awkwardness and obligation where there should be simple affection. The tears are 'pleasant' because they allow both women to express their complex feelings about this uncomfortable transaction disguised as generosity.

Coming Up in Chapter 18

The focus shifts to the Bezukhov household, where the dying count's condition creates a tense atmosphere of waiting and scheming among potential heirs.

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Original text
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A

fter Anna Mikháylovna had driven off with her son to visit Count Cyril Vladímirovich Bezúkhov, Countess Rostóva sat for a long time all alone applying her handkerchief to her eyes. At last she rang.

“What is the matter with you, my dear?” she said crossly to the maid who kept her waiting some minutes. “Don’t you wish to serve me? Then I’ll find you another place.”

The countess was upset by her friend’s sorrow and humiliating poverty, and was therefore out of sorts, a state of mind which with her always found expression in calling her maid “my dear” and speaking to her with exaggerated politeness.

“I am very sorry, ma’am,” answered the maid.

“Ask the count to come to me.”

The count came waddling in to see his wife with a rather guilty look as usual.

“Well, little countess? What a sauté of game au madère we are to have, my dear! I tasted it. The thousand rubles I paid for Tarás were not ill-spent. He is worth it!”

He sat down by his wife, his elbows on his knees and his hands ruffling his gray hair.

“What are your commands, little countess?”

1 / 4

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Why This Matters

Connect literature to life

Skill: Recognizing Emotional Displacement

This chapter teaches how stress about one problem often gets taken out on unrelated, safer targets.

Practice This Today

This week, notice when you feel irritated—ask yourself 'What am I really upset about?' and redirect your energy toward the actual source instead of innocent bystanders.

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Now let's explore the literary elements.

Key Quotes & Analysis

"Don't you wish to serve me? Then I'll find you another place."

— Countess Rostova

Context: She's taking out her frustration about Anna's poverty on her innocent maid

This shows how stress and guilt travel downward through social hierarchies. The Countess can't fix her friend's problems, so she creates problems for someone with even less power.

In Today's Words:

When you can't control the big stuff, you micromanage the small stuff.

"The thousand rubles I paid for Tarás were not ill-spent. He is worth it!"

— Count Rostov

Context: Bragging about his expensive cook right before his wife asks for money to help their struggling friend

The timing reveals how disconnected wealthy people can be from others' financial reality. He's proud of spending twice what Anna needs on a cook.

In Today's Words:

Complaining about gas prices while posting vacation photos from Europe.

"I want a great deal, Count. I want five hundred rubles."

— Countess Rostova

Context: Asking her husband for money to help Anna, but framing it as her own need

She can't directly say it's for Anna because that would highlight the awkwardness of their financial inequality. She has to make it about herself first.

In Today's Words:

When you ask your partner for money to help a friend but don't want to admit how often you're helping them.

Thematic Threads

Class

In This Chapter

The stark contrast between Rostov wealth (casually ordering 700 rubles) and Anna Mikhaylovna's desperate poverty creates tension and awkwardness in their friendship

Development

Introduced here as a source of relationship strain

In Your Life:

You might feel this tension when friends have very different financial situations—success can create distance even in loving relationships.

Power Dynamics

In This Chapter

The Countess displaces her stress onto servants who cannot fight back, while being deferential to her wealthy husband

Development

Introduced here as unconscious behavior

In Your Life:

You might catch yourself being short with people who can't push back when you're really frustrated with someone who can.

Money and Relationships

In This Chapter

Financial inequality intrudes into the friendship between the two women, creating obligation and awkwardness where there should be simple affection

Development

Introduced here as a corrupting force

In Your Life:

You might notice how money—having it or needing it—can complicate even your closest relationships.

Emotional Displacement

In This Chapter

Both women cry 'pleasant tears' that allow them to express complex feelings about the uncomfortable financial transaction disguised as generosity

Development

Introduced here as a coping mechanism

In Your Life:

You might find yourself having emotional reactions that are really about something else entirely—the tears aren't always about what just happened.

Privilege Blindness

In This Chapter

Count Rostov's comment that 'everything is possible' with their steward reveals how wealth creates a bubble where money problems simply don't exist

Development

Introduced here as unconscious assumption

In Your Life:

You might not realize how your own advantages—financial, social, or otherwise—make certain problems invisible to you.

You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does the Countess become irritable with her servants after Anna Mikhaylovna leaves?

    analysis • surface
  2. 2

    What does the Count's casual offer of 700 rubles (when asked for 500) reveal about the Rostovs' relationship with money?

    analysis • medium
  3. 3

    Think about a time when you were stressed about something you couldn't control. Who did you end up taking it out on, and why?

    application • medium
  4. 4

    How could the Countess have handled her anxiety about Anna Mikhaylovna's situation without displacing it onto her servants?

    application • deep
  5. 5

    Why do both women cry at the end, and what does this reveal about how money affects friendships?

    reflection • deep

Critical Thinking Exercise

10 minutes

Track Your Stress Displacement

For the next week, notice when you feel irritated or short with someone. Before reacting, pause and ask: 'What am I really upset about?' Write down three instances where you caught yourself about to take stress out on the wrong person. What was the real source of your frustration in each case?

Consider:

  • •Look for patterns in who you target when stressed (family, coworkers, service workers)
  • •Notice if the real source of stress feels too risky or overwhelming to confront directly
  • •Pay attention to how power dynamics influence where you direct frustration

Journaling Prompt

Write about a time when someone took their stress out on you unfairly. How did it feel? What do you wish they had done instead? How can this memory help you break the displacement pattern in your own life?

Coming Up Next...

Chapter 18: The Art of Social Performance

The focus shifts to the Bezukhov household, where the dying count's condition creates a tense atmosphere of waiting and scheming among potential heirs.

Continue to Chapter 18
Previous
The Art of Speaking Your Truth
Contents
Next
The Art of Social Performance

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