Wide Reads
Literature MattersLife IndexEducators
Sign in
Where to Begin
Richard III - Act IV, Scene 2 (cont.): The Princes Murdered

William Shakespeare

Richard III

Act IV, Scene 2 (cont.): The Princes Murdered

Home›Books›Richard III›Chapter 15
Previous
15 of 25
Next

Summary

Act IV, Scene 2 (cont.): The Princes Murdered

Richard III by William Shakespeare

0:000:00
Listen to Next Chapter

Buckingham exits to consider Richard's murder request. Richard seethes: 'High-reaching Buckingham grows circumspect.' When someone finally hesitates, Richard instantly turns. He asks his page for someone 'whom corrupting gold will tempt unto a close exploit of death.' The page names Tyrrell—'a discontented gentleman whose humble means match not his haughty spirit.' Richard hires him: 'I mean those bastards in the Tower.' Tyrrell agrees: 'Let me have open means to come to them, and soon I'll rid you from the fear of them.' Richard whispers instructions, promises rewards. Stanley reports Dorset has fled to Richmond. Richard immediately orders rumors spread that Anne is deathly ill—planning to murder his wife and marry his niece, Elizabeth. 'I must be married to my brother's daughter, or else my kingdom stands on brittle glass. Murder her brothers, and then marry her, uncertain way of gain. But I am in so far in blood, that sin will pluck on sin. Tear-falling pity dwells not in this eye.' Buckingham returns, having reconsidered. Richard ignores him. Buckingham requests his promised earldom. Richard dismisses him coldly: 'Thou troublest me, I am not in the vein.' Buckingham realizes his danger: 'Made I him king for this? O let me think on Hastings, and be gone.' He flees. Tyrrell returns with devastating news: 'The tyrannous and bloody act is done, the most arch deed of piteous massacre that ever yet this land was guilty of.' He describes the princes: 'Thus, thus, girdling one another within their alabaster innocent arms: their lips were four red roses on a stalk... a book of prayers on their pillow lay.' Even the hired killers wept. Richard confirms: 'Did'st thou see them dead?' Tyrrell: 'I did, my lord.' Richard catalogs his eliminations: 'The son of Clarence have I pent up close, his daughter meanly have I matched in marriage, the sons of Edward sleep in Abraham's bosom, and Anne my wife hath bid this world good night.' Now to woo Elizabeth. Ratcliffe brings news: Buckingham has rebelled. Richard prepares for war. The princes are dead. The final horror is complete.

Coming Up in Chapter 16

The women of the play gather to lament their losses, showing the human cost of Richard's manipulations.

Share it with friends

Previous ChapterNext Chapter
GO ADS FREE — JOIN US
Original text
complete·1,331 words
S

cena Secunda.

Sound a Sennet. Enter Richard in pompe, Buckingham, Catesby, Ratcliffe, Louel.

Rich. Stand all apart. Cousin of Buckingham

Buck. My gracious Soueraigne

Rich. Giue me thy hand.

Sound.

Thus high, by thy aduice, and thy assistance,
Is King Richard seated:
But shall we weare these Glories for a day?
Or shall they last, and we reioyce in them?
Buck. Still liue they, and for euer let them last

Rich. Ah Buckingham, now doe I play the Touch,
To trie if thou be currant Gold indeed:
Young Edward liues, thinke now what I would speake

Buck. Say on my louing Lord

Rich. Why Buckingham, I say I would be King

Buck. Why so you are, my thrice-renowned Lord

Rich. Ha? am I King? 'tis so: but Edward liues

Buck True, Noble Prince

Rich. O bitter consequence!
That Edward still should liue true Noble Prince.
Cousin, thou wast not wont to be so dull.
Shall I be plaine? I wish the Bastards dead,
And I would haue it suddenly perform'd.
What say'st thou now? speake suddenly, be briefe

Buck. Your Grace may doe your pleasure

1 / 8

Master this chapter. Complete your experience

Purchase the complete book to access all chapters and support classic literature

Read Free on GutenbergBuy at Powell'sBuy on Amazon

As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.

Available in paperback, hardcover, and e-book formats

GO ADS FREE — JOIN US

Why This Matters

Connect literature to life

Skill: Recognizing False Modesty

Some people use false modesty and reluctance as manipulation tools. This skill helps you distinguish between genuine humility and strategic performance.

Practice This Today

Watch for people who appear reluctant to take promotions or power. Examine their actions - do they match their words? Are they staging a performance? False modesty often reveals itself through contradictory behavior and elaborate staging.

GO ADS FREE — JOIN US

Now let's explore the literary elements.

Key Quotes & Analysis

"Alas, why would you heap this care on me? I am unfit for state and majesty: I cannot nor I will not yield to you."

— Richard

Context: Richard pretending reluctance to accept the crown

Richard's false modesty is his most sophisticated manipulation. He makes his greatest ambition appear like reluctant duty. The performance is so convincing that even those who suspect manipulation may doubt themselves.

In Today's Words:

Oh no, I'm not qualified for this. I can't and won't accept (while actively seeking it)

"I am not made of stone, But penetrable to your kind entreaties, Albeit against my conscience and my soul."

— Richard

Context: Richard 'reluctantly' agreeing to accept the crown

Richard makes it seem like he's sacrificing himself for others, when he's actually getting exactly what he wants. The false sacrifice is the final touch of his manipulation.

In Today's Words:

I'll do it for you, even though it goes against my principles (while it's exactly what I want)

Thematic Threads

Manipulation

In This Chapter

False modesty becomes a weapon

Development

Reluctance masks ambition

In Your Life:

Watch for people who appear reluctant to take power - they often want it most. Examine their actions, not just their words.

Performance

In This Chapter

Richard stages an elaborate performance

Development

Theater becomes manipulation

In Your Life:

When someone stages a performance - props, staging, orchestrated events - examine whether it's genuine or manipulation

GO ADS FREE — JOIN US

You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does Richard pretend to be reluctant? How does this performance help him achieve his goal?

    analysis • deep
  2. 2

    How can you tell the difference between genuine humility and false modesty? What are the signs?

    reflection • medium
  3. 3

    Have you witnessed false modesty? How did someone appear reluctant while actually being eager?

    application • surface

Critical Thinking Exercise

10 minutes

The Modesty Analysis

Richard appears reluctant to take power, but it's all performance. Think of someone who appeared reluctant but was actually eager.

Consider:

  • •What's the difference between genuine humility and false modesty?
  • •How do actions reveal true intentions when words say otherwise?
  • •What are the signs of false reluctance?
  • •How can you recognize when someone is staging a performance?

Journaling Prompt

Write about a time when someone appeared reluctant but was actually eager. What gave them away? How did their actions contradict their words?

Coming Up Next...

Chapter 16: Act IV, Scene 3: The Mothers' Curses

The women of the play gather to lament their losses, showing the human cost of Richard's manipulations.

Continue to Chapter 16
Previous
Act IV, Scenes 1-2: The Princes Imprisoned
Contents
Next
Act IV, Scene 3: The Mothers' Curses

Continue Exploring

Richard III Study GuideTeaching ResourcesEssential Life IndexBrowse by ThemeAll Books

You Might Also Like

Hamlet cover

Hamlet

William Shakespeare

Also by William Shakespeare

Jane Eyre cover

Jane Eyre

Charlotte Brontë

Explores personal growth

Great Expectations cover

Great Expectations

Charles Dickens

Explores personal growth

The Strange Case of Dr Jekyll and Mr Hyde cover

The Strange Case of Dr Jekyll and Mr Hyde

Robert Louis Stevenson

Explores personal growth

Browse all 47+ books

Share This Chapter

Know someone who'd enjoy this? Spread the wisdom!

TwitterFacebookLinkedInEmail

Read ad-free with Prestige

Get rid of ads, unlock study guides and downloads, and support free access for everyone.

Subscribe to PrestigeCreate free account
Intelligence Amplifier
Intelligence Amplifier™Powering Wide Reads

Exploring human-AI collaboration through books, essays, and philosophical dialogues. Classic literature transformed into navigational maps for modern life.

2025 Books

→ The Amplified Human Spirit→ The Alarming Rise of Stupidity Amplified→ San Francisco: The AI Capital of the World
Visit intelligenceamplifier.org
hello@widereads.com

WideReads Originals

→ You Are Not Lost→ The Last Chapter First→ The Lit of Love→ Wealth and Poverty→ 10 Paradoxes in the Classics · coming soon
Arvintech
arvintechAmplify your Mind
Visit at arvintech.com

Navigate

  • Home
  • Library
  • Essential Life Index
  • How It Works
  • Subscribe
  • Account
  • About
  • Contact
  • Authors
  • Suggest a Book
  • Landings

Made For You

  • Students
  • Educators
  • Families
  • Readers
  • Literary Analysis
  • Finding Purpose
  • Letting Go
  • Recovering from a Breakup
  • Corruption
  • Gaslighting in the Classics

Newsletter

Weekly insights from the classics. Amplify Your Mind.

Legal

  • Privacy Policy
  • Terms of Service
  • Cookie Policy
  • Accessibility

Why Public Domain?

We focus on public domain classics because these timeless works belong to everyone. No paywalls, no restrictions—just wisdom that has stood the test of centuries, freely accessible to all readers.

Public domain books have shaped humanity's understanding of love, justice, ambition, and the human condition. By amplifying these works, we help preserve and share literature that truly belongs to the world.

A Pilgrimage

Powell's City of Books

Portland, Oregon

If you ever find yourself in Portland, walk to the corner of Burnside and 10th. The building takes up an entire city block. Inside is over a million books, new and used on the same shelf, organized by color-coded rooms with names like the Rose Room and the Pearl Room. You can lose an afternoon. You can lose a weekend. You will find a book you have been looking for your whole life, and three you did not know existed.

It is a pilgrimage. We cannot find a bookstore like it anywhere on earth. If you read the classics, and you ever get the chance, go. It belongs on every reader's bucket list.

Visit powells.com

We are not in any way affiliated with Powell's. We are just a very big fan.

© 2026 Wide Reads™. All Rights Reserved.

Intelligence Amplifier™ and Wide Reads™ are proprietary trademarks of Arvin Lioanag.

Copyright Protection: All original content, analyses, discussion questions, pedagogical frameworks, and methodology are protected by U.S. and international copyright law. Unauthorized reproduction, distribution, web scraping, or use for AI training is strictly prohibited. See our Copyright Notice for details.

Disclaimer: The information provided on this website is for general informational and educational purposes only and does not constitute professional, legal, financial, or technical advice. While we strive to ensure accuracy and relevance, we make no warranties regarding completeness, reliability, or suitability. Any reliance on such information is at your own risk. We are not liable for any losses or damages arising from use of this site. By using this site, you agree to these terms.