Wide Reads
Literature MattersLife IndexEducators
Sign in
Where to Begin

Dunya's Revolver — Crime and Punishment

Crime and Punishment - Dunya's Revolver

Fyodor Dostoevsky

Crime and Punishment

Dunya's Revolver

Home›Books›Crime and Punishment›Chapter 36: Dunya's Revolver
Previous
36 of 41
Next

Analysis by the Wide Reads editorial team·Reviewed against the source text·Updated November 28, 2025

Summary

Dunya's Revolver

Crime and Punishment by Fyodor Dostoevsky

0:000:00
Listen to Next Chapter

Part VI Chapter V opens with Raskolnikov following Svidrigailov from the Hay Market, refusing to lose sight of him because the half-tipsy marriage stories have not ended his designs on Dunya, especially after her letter that morning. They measure strength on the pavement; Svidrigailov mocks calling the police, then invites him home for money before the Islands, while Raskolnikov insists he will see Sonia about the funeral. Svidrigailov boasts of funding the Marmeladov orphans and sending Sonia to a patroness at the X Hotel, then trades barbs about listening at doors and murdering old women versus listening at doors, taunts the Schiller in revolt, offers fare to America, and leads him through Madame Resslich's flat, bonds, and empty rooms before Raskolnikov refuses the cab and turns back in disgust, crying that he could not seek help from such a brute.

If he had looked behind him he would have seen Svidrigailov leave the carriage at once; instead he sinks into thought on the bridge while Dunya, who passed him unseen, is approached by Svidrigailov signaling from the Hay Market side. She steals past her brother and goes with him, demanding they speak in the street; he insists on Sonia, papers, and the curious secret of her beloved brother in his keeping. At his lodging he shows the chair by the locked door where he sat listening two successive evenings and learned Raskolnikov's full confession to Sonia: the pawnbroker and Lizaveta killed with an axe, money hidden under a stone, the extraordinary-man theory, Napoleon, pride without three thousand roubles.

Dunya rejects the story until he details robbery and overheard words, recites the extraordinary-man article she read through Razumihin, and mocks Russian breadth without genius. She rushes toward Sonia, collapses, and hears him offer to send Raskolnikov abroad with passports, then slide into pleading love, kiss her dress, and beg one word from you and he is saved. When she shakes the locked door he explains five empty rooms, Kapernaumovs away, and how even betrayal would prove nothing. She barricades herself, pulls Marfa Petrovna's revolver, fires and grazes his temple; he laughs, she misses fire, then flings the gun away. He gives her the key without turning from the window; she flees toward the canal and X Bridge while he stands three minutes at the glass, washes blood, picks up the revolver with two charges left, and goes out.

The chapter is Svidrigailov's trap and Dunya's revolver, not Sonia's crossroads command, Siberia sentencing, or Raskolnikov's public confession. Raskolnikov's judgment that Svidrigailov is only a coarse sensualist proves too hasty; the sister remains in danger. Part VI Chapter VI follows.

In this chapter: Terms Characters Key Quotes Themes Modern Story

Why This Matters

Connect literature to life

Skill: Refusing Blackmail Disguised as Rescue

A private confession overheard through a door can become a trap for your family, not only your shame. Svidrigailov lures Dunya with her brother's secret, locks the flat, and trades passports for power until she shoots and runs. Do not meet alone to hear proof; bring allies, an exit plan, and the willingness to leave before bargaining with your body.

Coming Up in Chapter 37

Svidrigailov walks out with Marfa Petrovna's revolver in his pocket; Dunya runs toward the canal while Raskolnikov still does not know what happened in his lodgings.

Share it with friends

PreviousPrevious ChapterNextNext Chapter
Original text
5,516 wordscomplete

Chapter 36

Dunya's Revolver

Raskolnikov walked after him. “What’s this?” cried Svidrigaïlov turning round, “I thought I said...” “It means that I am not going to lose sight of you now.” “What?” Both stood still and gazed at one another, as though measuring their strength. “From all your half tipsy stories,” Raskolnikov observed harshly, “I am positive that you have not given up your designs on my sister, but are pursuing them more actively than ever. I have learnt that my sister received a letter this morning. You have hardly been able to sit still all this time.... You may have unearthed a wife…

Public-domain chapter text, formatted for reading.

Master this chapter. Complete your experience

Purchase the complete book to access all chapters and support classic literature

Buy at Powell'sBuy on Amazon

Available in paperback, hardcover, and e-book formats

Now let's explore the literary elements.

Key Quotes & Analysis

"not going to lose sight of you now"

— Raskolnikov

Context: Following Svidrigailov after the tavern

Brother acts as guard though he cannot yet name what he fears.

In Today's Words:

Raskolnikov tells Svidrigailov it means he is not going to lose sight of him now, after the betrothal stories and Dunya's letter. He is trying to protect his sister without a clear plan. When someone dangerous just performed charm and distraction, staying in view is sometimes the only move you have before you know the next harm.

"sat here listening on two successive evenings"

— Svidrigailov

Context: Showing Dunya the chair by Sonia's door

Private confession becomes family weapon without Sonia's betrayal.

In Today's Words:

Svidrigailov tells Dunya he sat here listening on two successive evenings while her brother confessed the murders to Sonia through the door. He turns intimacy into evidence. Treat any private confession space as vulnerable if a third party can sit on the other side of a thin wall.

"killed an old woman, a pawnbroker"

— Svidrigailov

Context: Reporting what Raskolnikov told Sonia

Brother's secret delivered to sister by the man she feared.

In Today's Words:

Svidrigailov says Raskolnikov killed an old woman, a pawnbroker, and Lizaveta with an axe and hid the money under a stone. Dunya hears the crime from her enemy, not her brother. When blackmailers know the worst truth first, your first job is safety, not debating their motives.

"She’s dropped it!"

— Svidrigailov

Context: After Dunya cannot fire again and throws the revolver

Violence ends; he regains control and keeps the weapon.

In Today's Words:

When Dunya flings the revolver away after a misfire, Svidrigailov cries that she's dropped it with surprise and relief. She chose not to kill at two paces. He will pick up the gun with charges still in it and walk out, so disarming a predator once does not mean he is finished.

Thematic Threads

Dunya

In This Chapter

Letter, revolver, escape

Development

Assault resisted

Svidrigailov

In This Chapter

Listen, trap, key

Development

Picks up gun

Surveillance

In This Chapter

Door, chair, two evenings

Development

Confession weaponized

Raskolnikov

In This Chapter

Follow, disgust, bridge

Development

Unaware of trap

Sonia

In This Chapter

Confession heard

Development

Secret spread via wall

You now have the context. Time to form your own thoughts.

Discussion Questions

This is not a test. Five prompts guide you through the chapter, from how it opens to how it closes, so you notice context and rhythm rather than facts to memorize. Sit with each question in your own words. When you see "One way to read it," treat it as a starting point, not the only answer.

  1. 1

    Why does Raskolnikov follow Svidrigailov through the Hay Market, and what does he miss when he turns back?

    ▶One way to read it

    He fears designs on Dunya after tavern threats. Turning back lets Svidrigailov rush to her lodging while Rodya broods in the rain.

    analysis • surface
  2. 2

    How does Svidrigailov show he knows Raskolnikov murdered Alyona and Lizaveta?

    ▶One way to read it

    He heard through the wall, quotes lice and murder jokes, and trades secrets. Eavesdropping equals possession of Rodya's life.

    analysis • medium
  3. 3

    Dunya comes alone to his rooms. What leverage does Svidrigailov use before the revolver?

    ▶One way to read it

    He holds knowledge of the crime and past passion, offering money and escape. He tries to make her complicit in silence or flight.

    application • medium
  4. 4

    She fires the revolver twice and misses; he lets her go. What does that scene decide?

    ▶One way to read it

    Dunya refuses him absolutely; violence fails to bind her. Svidrigailov's last romantic plot dies in the locked room.

    analysis • deep
  5. 5

    He picks up the revolver after she leaves. Why does that gesture foreshadow the ending?

    ▶One way to read it

    The unused weapon becomes his exit tool. Rejection empties his future, pointing toward suicide rather than further pursuit.

    reflection • deep

Critical Thinking Exercise

Plan Before You Confront

Describe a time someone asked you to come alone to discuss sensitive information about someone you love. What exit, witness, or boundary would you add now?

Consider:

  • •Whether help was offered with a locked door
  • •Who already knew your family's secret
  • •What you would do before negotiating

Coming Up Next...

Chapter 37: Svidrigailov's Last Night

Svidrigailov walks out with Marfa Petrovna's revolver in his pocket; Dunya runs toward the canal while Raskolnikov still does not know what happened in his lodgings.

Continue to Chapter 37
Previous
Svidrigailov on Dunya
Contents
Next
Svidrigailov's Last Night
Keep exploring

Continue Exploring

Study guides, teaching tools, themes, and the full library.More ways to read Crime and Punishment: study guides, teaching tools, and the wider library.

  • Crime and Punishment Study Guide
  • Teaching Resources
  • Essential Life Index
  • Browse by Theme
  • All Books

Life-skill deep dives in Crime and Punishment

  • Recognizing Dangerous RationalizationExplore recognizing dangerous rationalization through Crime and Punishment by Dostoevsky. Timeless wisdom for modern life.
  • The Path to Redemption Through TruthDiscover why authentic transformation requires confronting reality and confessing truth—not constructing better excuses in Crime and Punishment.
  • Understanding Guilt and ConscienceSee how conscience operates through lived experience, not intellectual principles—and why you can
Moral Dilemmas & EthicsIdentity & Self-Discovery

You Might Also Like

The Idiot cover

The Idiot

Fyodor Dostoevsky

Also by Fyodor Dostoevsky

The Brothers Karamazov cover

The Brothers Karamazov

Fyodor Dostoevsky

Also by Fyodor Dostoevsky

The Gambler cover

The Gambler

Fyodor Dostoevsky

Also by Fyodor Dostoevsky

The Picture of Dorian Gray cover

The Picture of Dorian Gray

Oscar Wilde

Explores morality & ethics

Browse all 106+ books

Share This Chapter

Know someone who'd enjoy this? Spread the wisdom!

TwitterFacebookLinkedInEmail

Go further with Prestige

Unlock study guides and downloads, early access, and exclusive content — and support free access for everyone.

Subscribe to PrestigeCreate free account
Intelligence Amplifier
Intelligence Amplifier™Powering Wide Reads

Exploring human-AI collaboration through books, essays, and philosophical dialogues. Classic literature transformed into navigational maps for modern life.

2025 Books

→ The Amplified Human Spirit→ The Alarming Rise of Stupidity Amplified→ San Francisco: The AI Capital of the World
Visit intelligenceamplifier.org
hello@widereads.com

WideReads Originals

→ You Are Not Lost→ The Last Chapter First→ The Lit of Love→ Wealth and Poverty→ Wisdom for the Wounded
Arvintech
arvintechAmplify your Mind
Visit at arvintech.com

Navigate

  • Home
  • Library
  • Essential Life Index
  • How It Works
  • Subscribe
  • Account
  • About
  • Contact
  • Authors
  • Suggest a Book
  • Landings

Made For You

  • Trending
  • Students
  • Educators
  • Families
  • Readers
  • Literary Analysis
  • Finding Purpose
  • Letting Go
  • Recovering from a Breakup
  • Corruption
  • Gaslighting in the Classics

Newsletter

Weekly insights from the classics. Amplify Your Mind.

Legal

  • Privacy Policy
  • Terms of Service
  • Editorial Standards
  • Cookie Policy
  • Accessibility

Why Public Domain?

We focus on public domain classics because these timeless works belong to everyone. No paywalls, no restrictions—just wisdom that has stood the test of centuries, freely accessible to all readers.

Public domain books have shaped humanity's understanding of love, justice, ambition, and the human condition. By amplifying these works, we help preserve and share literature that truly belongs to the world.

A Pilgrimage

Powell's City of Books

Portland, Oregon

If you ever find yourself in Portland, walk to the corner of Burnside and 10th. The building takes up an entire city block. Inside is over a million books, new and used on the same shelf, organized by color-coded rooms with names like the Rose Room and the Pearl Room. You can lose an afternoon. You can lose a weekend. You will find a book you have been looking for your whole life, and three you did not know existed.

It is a pilgrimage. We cannot find a bookstore like it anywhere on earth. If you read the classics, and you ever get the chance, go. It belongs on every reader's bucket list.

Visit powells.com

We are not in any way affiliated with Powell's. We are just a very big fan.

© 2026 Wide Reads™. All Rights Reserved.

Intelligence Amplifier™ and Wide Reads™ are proprietary trademarks of Arvin Lioanag.

Copyright Protection: All original content, analyses, discussion questions, pedagogical frameworks, and methodology are protected by U.S. and international copyright law. Unauthorized reproduction, distribution, web scraping, or use for AI training is strictly prohibited. See our Copyright Notice for details.

Disclaimer: The information provided on this website is for general informational and educational purposes only and does not constitute professional, legal, financial, or technical advice. While we strive to ensure accuracy and relevance, we make no warranties regarding completeness, reliability, or suitability. Any reliance on such information is at your own risk. We are not liable for any losses or damages arising from use of this site. By using this site, you agree to these terms.