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Chapter XIV — Pride and Prejudice

Pride and Prejudice - Chapter XIV

Jane Austen

Pride and Prejudice

Chapter XIV

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Analysis by the Wide Reads editorial team·Reviewed against the source text·Updated November 27, 2025

Summary

Chapter XIV

Pride and Prejudice by Jane Austen

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The person who speaks in a powerful patron's voice often mistakes their approval for their own worth. After dinner Mr. Bennet draws Mr. Collins out on Lady Catherine; Collins becomes solemnly eloquent about her affability, sermon approval, Rosings invitations, quadrille, permission to visit relations, marriage advice, and even her shelf suggestions at his parsonage.

Mrs. Bennet asks about Rosings and Miss de Bourgh the heiress; Collins flatters the sickly daughter as born to be a duchess and boasts of delicate compliments he sometimes prepares in advance. Mr. Bennet asks whether the flattery is spontaneous or studied; Collins insists it arises from the moment. Bennet is delighted: his cousin is as absurd as he hoped, and he glances at Elizabeth to share the joke. Bennet and her daughters apologized most civilly for Lydia’s interruption, and promised that it should not occur again, if he would resume his book; but Mr.

By tea he has had enough and invites Collins to read to the ladies. Collins refuses a circulating-library novel, chooses Fordyce's Sermons, and Lydia interrupts after three pages with militia gossip. Collins lectures young ladies on serious books, abandons reading, and retreats to backgammon with Mr. Bennet. Collins, after assuring them that he bore his young cousin no ill-will, and should never resent her behaviour as any affront, seated himself at another table with Mr.

In this chapter: Terms Characters Key Quotes Themes Modern Story

Why This Matters

Connect literature to life

Skill: Spotting borrowed authority

When someone speaks entirely in a patron's voice, you are hearing borrowed status, not independent judgment. Their father baits Collins into a Lady Catherine monologue, then asks whether his delicate compliments are spontaneous or rehearsed while Elizabeth catches the joke in a glance. Limit your exposure to performers, and to treat moral posturing as performance when it collapses the moment the room stops applauding.

Coming Up in Chapter 15

The morning after, Mr. Bennet sizes up his cousin in plain terms, and a walk to Meryton with Charlotte Lucas will set Collins's matrimonial scheme in motion. Mr. Collins dominates the opening movement. The next chapter turns that pressure into a scene you cannot read only as background.

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Original text
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Chapter 14

The person who speaks in a powerful patron's voice often mistakes t...

[Illustration] During dinner, Mr. Bennet scarcely spoke at all; but when the servants were withdrawn, he thought it time to have some conversation with his guest, and therefore started a subject in which he expected him to shine, by observing that he seemed very fortunate in his patroness. Lady Catherine de Bourgh’s attention to his wishes, and consideration for his comfort, appeared very remarkable. Mr. Bennet could not have chosen better. Mr. Collins was eloquent in her praise. The subject elevated him to more than usual solemnity of manner; and with a most important aspect he protested that he had…

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Now let's explore the literary elements.

Key Quotes & Analysis

"May I ask whether these pleasing attentions proceed from the impulse of the moment, or are the result of previous study"

— Mr. Bennet

Context: After Collins explains his compliments to Lady Catherine and her daughter

Dry wit that exposes rehearsed flattery while pretending to praise Collins's talent.

In Today's Words:

Did you rehearse these compliments, or does brown-nosing come naturally? Your flattery sounds like a corporate presentation with perfectly polished talking points. Genuine praise feels different from this scripted performance. It's like listening to someone recite memorized pickup lines at a networking event when authentic conversation would actually impress people.

"Lady Catherine was reckoned proud by many people, he knew, but _he_ had never seen anything but affability in her"

— Mr. Collins

Context: After dinner, praising his patroness to the Bennets

Collins hears deference as kindness because it flatters him; pride becomes affability at close range.

In Today's Words:

Everyone says the CEO is arrogant, but she's always been nice to me personally. When you're receiving special treatment from someone in power, it's easy to mistake their conditional kindness for genuine character. Like when your demanding boss is suddenly friendly because they need something from you.

"id aside his book, and said,-- “I have often observed how little young ladies are interested by books of a serious stamp, though written solely for their benefit"

— Mr. Collins

Context: After Lydia interrupts his reading of Fordyce's Sermons

Moral vanity on display: he scolds the room for boredom with instruction he chose to perform.

In Today's Words:

I've observed that young women today seem disinterested in serious professional development content, despite it being created to help them advance. It's that condescending energy where someone assumes others are too shallow to appreciate their insights. Like colleagues who feel offended when people ignore their unsolicited advice.

"and it is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the moment, or are the result of previous study"

— Narrator

Context: From the second half of the chapter

This line anchors the chapter's closing movement and shows how social pressure and private feeling collide in the scene.

In Today's Words:

In today's language, the passage says: and it is happy for you that you possess the talent of flattering with delicacy. May I ask whether these pleasing attentions proceed from the impulse of the mom Readers still recognize the same dynamic when pride, strategy, or family pressure turns a private moment into public consequence.

Thematic Threads

Borrowed authority

In This Chapter

Collins's identity is Lady Catherine's opinion of him

Development

Extends his letter's servility into live monologue

In Your Life:

Who do you know who speaks in someone else's voice about power?

Father's cruel amusement

In This Chapter

Mr. Bennet provokes Collins for private entertainment

Development

His negligence has a social cost for daughters

In Your Life:

When has humor at someone's expense been easier than stopping the performance?

Marriage and patronage

In This Chapter

Lady Catherine advised Collins to marry; Mrs. Bennet probes Miss de Bourgh

Development

Sets up Collins's choice of a wife

In Your Life:

When has advice from a powerful third party shaped someone's dating behavior?

Moral performance

In This Chapter

Refuses novels, reads Fordyce, scolds Lydia

Development

Hypocrisy without self-awareness

In Your Life:

Where have you seen seriousness performed for show?

Militia versus morality

In This Chapter

Lydia's officer news versus Collins's sermons

Development

Two worlds in one drawing room

In Your Life:

When has the room cared about completely different things?

You now have the context. Time to form your own thoughts.

Discussion Questions

This is not a test. Five prompts guide you through the chapter, from how it opens to how it closes, so you notice context and rhythm rather than facts to memorize. Sit with each question in your own words. When you see "One way to read it," treat it as a starting point, not the only answer.

  1. 1

    How does Mr. Bennet draw Mr. Collins out after dinner, and what does Collins say about Lady Catherine?

    ▶One way to read it

    Bennet praises Collins's fortunate patroness, and Collins becomes solemnly eloquent about Lady Catherine's affability, sermon approval, Rosings invitations, quadrille, marriage advice, and even her shelf suggestions at his parsonage.

    analysis • surface
  2. 2

    What does Mr. Bennet ask about Collins's flattering compliments, and how does Collins answer?

    ▶One way to read it

    Bennet asks whether the pleasing attentions proceed from impulse or previous study. Collins says they arise chiefly from what is passing at the time, though he sometimes arranges elegant compliments in advance and tries to give them an unstudied air.

    analysis • medium
  3. 3

    When have you heard someone describe a powerful person's rudeness as kindness because the rudeness was not aimed at them?

    ▶One way to read it

    Think of employees calling a difficult boss gracious because she smiles at them, fans defending a celebrity who was cruel to someone else, or anyone who confuses not being the target with proof of good character.

    application • medium
  4. 4

    Mr. Collins refuses a circulating-library novel and chooses Fordyce's Sermons instead. What does Lydia's interruption show about the gap between his performance and the room he is addressing?

    ▶One way to read it

    Collins wants to instruct young ladies through serious books, but Lydia cares about militia gossip, not sermons. His offended lecture shows he is performing clerical authority for an audience that never asked for it.

    application • deep
  5. 5

    Why is Mr. Bennet glad to end the evening with backgammon rather than more conversation or reading?

    ▶One way to read it

    Collins has fulfilled Bennet's hope of absurdity, but a full dose is enough. Backgammon lets Bennet enjoy his guest at a safe distance after using him for entertainment without requiring further eloquence on Lady Catherine.

    reflection • deep

Critical Thinking Exercise

The Borrowed-Authority Dinner

Recall a meal where someone dominated talk with a boss, client, or patron they name-dropped. Who baited them, who was trapped, and how long until the room found an exit?

Consider:

  • •Was the talk spontaneous or clearly rehearsed flattery?
  • •Did anyone enjoy the performance as comedy while others had to endure it?
  • •What subject change or activity finally ended the monologue?

Coming Up Next...

Chapter 15: Chapter XV

The morning after, Mr. Bennet sizes up his cousin in plain terms, and a walk to Meryton with Charlotte Lucas will set Collins's matrimonial scheme in motion. Mr. Collins dominates the opening movement. The next chapter turns that pressure into a scene you cannot read only as background.

Continue to Chapter 15
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Chapter XV
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Study guides, teaching tools, themes, and the full library.More ways to read Pride and Prejudice: study guides, teaching tools, and the wider library.

  • Pride and Prejudice Study Guide
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Life-skill deep dives in Pride and Prejudice

  • Challenging First ImpressionsDiscover how first impressions trap us—and the courage it takes to admit we were wrong in Pride and Prejudice and beyond.
  • Developing Self-AwarenessExplore developing self-awareness through Pride and Prejudice by Jane Austen. Life lessons from classic literature applied to modern challenges.
  • Navigating Social ClassExplore how Pride and Prejudice reveals the complex dance of class, money, and worth—and what it teaches us about navigating economic divides today.
  • Pride Masks VulnerabilityLearn how pride becomes armor against the fear of rejection—and what it takes to let those defenses down in Pride and Prejudice and beyond.
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