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Chapter 87 — Anna Karenina

Anna Karenina - Chapter 87

Leo Tolstoy

Anna Karenina

Chapter 87

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Analysis by the Wide Reads editorial team·Reviewed against the source text·Updated November 30, 2025

Summary

Chapter 87

Anna Karenina by Leo Tolstoy

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Sappho Shtoltz arrives with Vaska, a young man so well fed he barely greets Anna before chaining himself to Sappho's footsteps. Tolstoy catalogs Sappho's extreme dress and masculine handshake, then stacks the room with more ornaments of the new set: another forgotten celebrity guest, Prince Kaluzhsky, Liza Merkalova, and Stremov. Anna prefers Liza's soft sincerity to Sappho's performance, reading her as a real diamond among glass, though both women keep young and old admirers orbiting them.

Liza refuses croquet and draws Anna aside, praising her as alive while confessing that Petersburg's liveliest set is awfully bored. Anna blushes under the scrutiny and answers that she does nothing. Stremov, Karenin's political enemy, flatters the formula: do not anticipate boredom, work to enjoy yourself. Liza counters that she cannot pretend her work matters. The talk is witty, empty, and intimate at once, the kind of conversation that flatters without deciding anything.

When croquet calls, Liza and Stremov beg Anna to stay, arguing that Madame Vrede will only spread scandal while here she inspires elevated feelings. For a moment the easy salon almost wins. Anna remembers clutching her hair in despair at home, the difficult explanation waiting with Vronsky, and leaves. The chapter contrasts performed vitality with Anna's hidden crisis: she can look enviable in a drawing room and still flee back toward pain.

In this chapter: Terms Characters Key Quotes Themes Modern Story

Why This Matters

Connect literature to life

Skill: Escaping the Admiration Trap

Praise in the right room can feel like rescue when your private life is on fire. Liza calls Anna alive, Stremov tells her to avoid scandal elsewhere, and Anna almost stays until she remembers clutching her hair in despair. When someone flatters you into canceling a hard next step, ask what crisis you are postponing, not what honor you are gaining.

Coming Up in Chapter 88

While Anna leaves the party for a harder reckoning, Vronsky shuts himself in after the races to sort debts, pride, and the cost of an affair that is outrunning his income.

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Chapter 87

Sappho Shtoltz arrives with Vaska, a young man so well fed he barel...

They heard the sound of steps and a man’s voice, then a woman’s voice and laughter, and immediately thereafter there walked in the expected guests: Sappho Shtoltz, and a young man beaming with excess of health, the so-called Vaska. It was evident that ample supplies of beefsteak, truffles, and Burgundy never failed to reach him at the fitting hour. Vaska bowed to the two ladies, and glanced at them, but only for one second. He walked after Sappho into the drawing-room, and followed her about as though he were chained to her, keeping his sparkling eyes fixed on her as…

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Key Quotes & Analysis

"He walked after Sappho into the drawing-room, and followed her about as though he were chained to her, keeping his sparkling eyes fixed on her as though he wanted to eat her."

— Narrator

Context: Vaska arrives with Sappho Shtoltz

The party's erotic economy is comic and predatory. Admirers orbit women as property and spectacle, setting the tone Anna must navigate without Vronsky present.

In Today's Words:

Vaska barely acknowledges Anna because his attention is entirely chained to Sappho. That is how this circle signals value: you are background until you are the person being devoured with the eyes. Modern rooms work similarly when everyone orbits the charismatic guest and treats the rest as scenery.

"There was in her the glow of the real diamond among glass imitations."

— Narrator

Context: Anna compares Liza Merkalova to the surrounding set

Anna still discriminates authenticity inside a corrupt salon. Liza's sincerity attracts her more than Sappho's brass, which complicates Anna's own position as both judge and participant.

In Today's Words:

Anna can tell who feels real even inside a fake room. Liza's tired, passionate eyes read as honest compared with the louder performances around her. People still make that call at parties: who is performing for the room, and who is actually suffering underneath the smile they were trained to wear.

"“I do nothing,” answered Anna, blushing at these searching questions."

— Anna

Context: Liza asks how Anna avoids boredom

Anna's answer is both deflection and confession. Her life is consumed by a single hidden drama, not by hobbies or poses, which makes her seem enviably alive to bored socialites.

In Today's Words:

When Liza presses her, Anna says she does nothing and blushes. That is not modesty; it is the gap between public appearance and private catastrophe. Outsiders read it as charm, while Anna knows her energy goes to one secret that would ruin the party if spoken.

"remembering that gesture—terrible even in memory—when she had clutched her hair in both hands—she said good-bye and went away."

— Narrator

Context: Anna chooses to leave despite Stremov and Liza urging her to stay

The salon's flattery loses to bodily memory of despair. Anna prefers the difficult appointment with Vronsky to the ease of being admired without resolution.

In Today's Words:

Stremov tells her she will only feed scandal at Madame Vrede's, and Liza begs her to stay, but Anna remembers grabbing her own hair in anguish at home. That image pulls her out of the soft room. Flattery is easier than truth, yet her body remembers what truth costs.

Thematic Threads

Spectacle versus sincerity

In This Chapter

Sappho's exaggerated body and manners contrast with Liza's enigmatic eyes, which Anna reads as a diamond among glass.

Development

Anna still seeks real feeling inside a set defined by display.

In Your Life:

Notice who in a loud room actually seems tired rather than entertained.

Boredom as luxury

In This Chapter

Liza confesses that the liveliest set is awfully bored; Stremov treats boredom as a mistake in attitude, not circumstance.

Development

Elite emptiness sharpens the contrast with Anna's hidden, consuming affair.

In Your Life:

Ask whether someone's complaint of boredom is really a boast that nothing forces them to choose.

Flattery versus reckoning

In This Chapter

Stremov and Liza urge Anna to stay; she leaves for the painful meeting she arranged.

Development

She chooses the Vrede garden and Vronsky over the salon's temporary elevation.

In Your Life:

When praise makes you want to cancel the hard appointment, check what you are avoiding.

You now have the context. Time to form your own thoughts.

Discussion Questions

This is not a test. Five prompts guide you through the chapter, from how it opens to how it closes, so you notice context and rhythm rather than facts to memorize. Sit with each question in your own words. When you see "One way to read it," treat it as a starting point, not the only answer.

  1. 1

    How does Tolstoy present Sappho Shtoltz when she enters the party?

    ▶One way to read it

    Through Vaska chained to her, her extreme dress, and masculine handshake, Tolstoy marks her as a new fashion type built on display and male orbit, not private depth.

    analysis • surface
  2. 2

    Why does Anna find Liza Merkalova more attractive than Sappho?

    ▶One way to read it

    She reads Liza's weary, passionate eyes as sincere, a real diamond among glass imitations, even though Liza shares the same admirer structure as Sappho.

    analysis • medium
  3. 3

    When have you stayed in flattering company to avoid a harder appointment?

    ▶One way to read it

    One parallel is canceling a serious talk because friends or colleagues made you feel valued at an event. Stremov and Liza offer Anna that delay disguised as protection.

    application • medium
  4. 4

    What does Stremov gain by telling Anna she should not go to Madame Vrede?

    ▶One way to read it

    He keeps Karenin's wife inside his circle, flatters her away from scandal, and frames staying as noble while serving his own social and political curiosity.

    application • deep
  5. 5

    Why does the memory of clutching her hair override the salon's pleas?

    ▶One way to read it

    Flattery cannot touch the bodily memory of despair. Anna knows the explanation with Vronsky cannot wait, even if the drawing room is easier.

    reflection • deep

Critical Thinking Exercise

10 minutes

List What the Room Offers Versus What It Solves

Think of a gathering where people praised your energy, wit, or calm while you carried a private crisis. Write three compliments you received, three problems that remained unsolved after you left, and what appointment you almost skipped.

Consider:

  • •Separate feeling admired from making a decision
  • •Note who benefits when you stay longer
  • •Identify the bodily memory or fact that finally made you leave

Journaling Prompt

Write about a time praise almost kept you from a necessary confrontation. What did you lose or gain by going anyway?

Coming Up Next...

Chapter 88

While Anna leaves the party for a harder reckoning, Vronsky shuts himself in after the races to sort debts, pride, and the cost of an affair that is outrunning his income.

Continue to Chapter 88
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Study guides, teaching tools, themes, and the full library.More ways to read Anna Karenina: study guides, teaching tools, and the wider library.

  • Anna Karenina Study Guide
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Life-skill deep dives in Anna Karenina

  • Finding Authentic MeaningDiscover purpose through honest work and genuine connection through Levin
  • Managing JealousyLearn how jealousy can poison love and lead to self-destruction through Anna
  • Recognizing Consuming PassionLearn to identify when love becomes an all-consuming force that clouds judgment and destroys lives through Anna
  • Understanding Social Double StandardsLearn how society judges the same behavior differently based on gender and status through Anna
Love & RelationshipsSocial Class & StatusMoral Dilemmas & Ethics

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