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Anna Karenina - Chapter 164

Leo Tolstoy

Anna Karenina

Chapter 164

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Chapter 164

Anna Karenina by Leo Tolstoy

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Levin returns only when summoned for supper. On the stairs, Kitty asks: "Kostya, stop, what's the matter?" But "he strode ruthlessly away to the dining-room without waiting for her" and joins Veslovsky and Stepan's lively conversation with "forced amiability that Kitty knew so well in him." They discuss tomorrow's shooting. Veslovsky sits "with one fat leg crossed under him." Levin looks "intently at his leg, but speaking with that forced amiability." Dolly says it's bedtime, but Stiva wants to tell her something: "Do you know Veslovsky has been at Anna's, and he's going to them again?" Veslovsky crosses to the ladies, sits beside Kitty. "How was she?" Dolly asks about Anna. Levin, at the other end, sees "an eager and mysterious conversation" and notices "on his wife's face an expression of real feeling as she gazed with fixed eyes on the handsome face of Vassenka." Veslovsky describes Vronsky and Anna's place: "in their house you feel the real feeling of home." They discuss visiting. Stiva asks Kitty: "And you?" She flushes: "I? Why should I go?" Veslovsky: "She's a very fascinating woman." Kitty answers, "crimsoning still more," then walks to her husband: "Are you going shooting, then, tomorrow?" "His jealousy had in these few moments, especially at the flush that had overspread her cheeks while she was talking to Veslovsky, gone far indeed." He construes her question as caring only "whether he would give that pleasure to Vassenka Veslovsky, with whom, as he fancied, she was in love." When Kitty suggests staying tomorrow, Levin interprets: "Don't separate me from _him_." He agrees with "peculiar amiability." Veslovsky follows Kitty with "smiling and admiring eyes." Levin sees the look: "He turned white, and for a minute he could hardly breathe. 'How dare he look at my wife like that!'" "Levin's jealousy went further still. Already he saw himself a deceived husband." But he makes polite inquiries about Veslovsky's shooting gear. At goodnight, Veslovsky tries to kiss Kitty's hand. She "reddening, drew back her hand" saying: "We don't like that fashion." "In Levin's eyes she was to blame for having allowed such relations to arise, and still more to blame for showing so awkwardly that she did not like them." Later, in their bedroom, Levin sits "scowling in an easy-chair" maintaining "obstinate silence." When Kitty asks if something disliked about Veslovsky, "it all burst out." "He stood facing her with his eyes glittering menacingly under his scowling brows." His jaws twitch, voice breaking: "You must understand that I'm not jealous, that's a nasty word... I'm not jealous, but I'm wounded, humiliated that anybody dare think, that anybody dare look at you with eyes like that." Kitty tries to recall every detail. "At the very bottom of her heart she did think there had been something precisely at the moment when he had crossed over after her" but "dared not own it even to herself." Levin continues in "desperate whisper": "he's in my house, that he's done nothing improper positively except his free and easy airs and the way he sits on his legs." Kitty explains what they discussed. Levin suddenly clutches his head: "Katya, I've been worrying you! Darling, forgive me! It's madness!" He kisses her hands: "Oh, then I'll keep him here all the summer, and will overwhelm him with civility. You shall see."

Coming Up in Chapter 165

The shooting party departs. Will Levin's resolve to 'overwhelm Veslovsky with civility' last beyond morning?

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Original text
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L

evin came back to the house only when they sent to summon him to supper. On the stairs were standing Kitty and Agafea Mihalovna, consulting about wines for supper.

“But why are you making all this fuss? Have what we usually do.”

“No, Stiva doesn’t drink ... Kostya, stop, what’s the matter?” Kitty began, hurrying after him, but he strode ruthlessly away to the dining-room without waiting for her, and at once joined in the lively general conversation which was being maintained there by Vassenka Veslovsky and Stepan Arkadyevitch.

“Well, what do you say, are we going shooting tomorrow?” said Stepan Arkadyevitch.

“Please, do let’s go,” said Veslovsky, moving to another chair, where he sat down sideways, with one fat leg crossed under him.

“I shall be delighted, we will go. And have you had any shooting yet this year?” said Levin to Veslovsky, looking intently at his leg, but speaking with that forced amiability that Kitty knew so well in him, and that was so out of keeping with him. “I can’t answer for our finding grouse, but there are plenty of snipe. Only we ought to start early. You’re not tired? Aren’t you tired, Stiva?”

1 / 11

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Why This Matters

Connect literature to life

Skill: Recognizing Emotional Avoidance Patterns

This chapter teaches how to identify when we're using activity to avoid confronting difficult emotions or situations.

Practice This Today

This week, notice when you suddenly feel compelled to clean, work, exercise, or stay busy during emotional stress - pause and ask what you might be avoiding.

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Now let's explore the literary elements.

Key Quotes & Analysis

"The longer Levin went on mowing, the oftener he experienced those moments of oblivion when his arms no longer seemed to swing the scythe, but the scythe itself his whole body, so conscious and full of life."

— Narrator

Context: When Levin loses himself in the rhythm of physical work

This describes the meditative state that comes from repetitive physical work. Levin finds temporary peace when his mind stops racing and he becomes one with the task.

In Today's Words:

The work was so rhythmic that he stopped thinking and just moved on autopilot, feeling completely in the zone.

"He envied them their health and strength, their good spirits and their simple acceptance of life."

— Narrator

Context: Levin observing his workers during a break

This reveals how education and privilege can sometimes be a burden. Levin's ability to question everything makes him miserable while the workers' simple acceptance brings them peace.

In Today's Words:

He wished he could be as happy and carefree as they were, not constantly worrying about the meaning of everything.

"But as soon as he began to think, he felt that old familiar ache in his heart."

— Narrator

Context: When Levin's mind wanders from work back to his existential questions

Shows that physical work only provides temporary relief from spiritual crisis. The moment his mind is free to wander, the pain returns, suggesting that action alone cannot solve deeper problems.

In Today's Words:

The second he stopped being busy, all his worries and sadness came flooding back.

Thematic Threads

Class

In This Chapter

Levin envies the peasants' simple faith and apparent contentment, seeing his education as a burden that creates doubt

Development

Evolved from earlier class tensions - now showing how privilege can create psychological suffering

In Your Life:

You might catch yourself romanticizing others' 'simpler' lives when your own feels complicated

Identity

In This Chapter

Levin tries to find himself through physical labor, seeking identity in work rather than thought

Development

His identity crisis deepens as intellectual pursuits fail to provide meaning

In Your Life:

You might define yourself entirely by your job or role, losing sense of who you are underneath

Personal Growth

In This Chapter

Levin's spiritual crisis forces him to confront fundamental questions about life's purpose

Development

His growth journey intensifies as external solutions prove inadequate

In Your Life:

You might resist personal growth because it requires sitting with uncomfortable uncertainty

Social Expectations

In This Chapter

Levin feels pressure to find meaning in socially acceptable ways - work, productivity, purpose

Development

Continues theme of characters struggling against societal definitions of fulfillment

In Your Life:

You might feel guilty for questioning whether the prescribed path to happiness actually works for you

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does Levin choose to work in the fields with his peasants instead of dealing with his spiritual crisis directly?

    analysis • surface
  2. 2

    What makes physical labor temporarily effective at silencing Levin's existential questions, and why doesn't this solution last?

    analysis • medium
  3. 3

    Where do you see people using work or busyness to avoid dealing with difficult emotions or life questions in your own community?

    application • medium
  4. 4

    How can someone tell the difference between healthy, purposeful work and using work as emotional avoidance?

    application • deep
  5. 5

    What does Levin's envy of the peasants' simple faith reveal about the relationship between education, privilege, and happiness?

    reflection • deep

Critical Thinking Exercise

10 minutes

Track Your Own Work Escape Patterns

For the next week, notice when you dive into work or busyness during stressful moments. Keep a simple log: What triggered the busyness? What were you avoiding? How did you feel before, during, and after the work session? Look for patterns in your own behavior that mirror Levin's response to his spiritual crisis.

Consider:

  • •Pay attention to the difference between work that energizes you and work that numbs you
  • •Notice if certain types of stress consistently drive you toward specific activities
  • •Consider whether your busyness actually solves problems or just postpones them

Journaling Prompt

Write about a time when you threw yourself into work or activity to avoid dealing with something difficult. What were you really running from, and what might have happened if you had faced it directly instead?

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Coming Up Next...

Chapter 165

The shooting party departs. Will Levin's resolve to 'overwhelm Veslovsky with civility' last beyond morning?

Continue to Chapter 165
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