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Anna Karenina - Chapter 139

Leo Tolstoy

Anna Karenina

Chapter 139

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Chapter 139

Anna Karenina by Leo Tolstoy

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They had just come back from Moscow and were glad to be alone. He sat at the writing-table in his study, working. She wore "the dark lilac dress she had worn during the first days of their married life"—particularly remembered and loved by him—sitting on "the same old-fashioned leather sofa which had always stood in the study in Levin's father's and grandfather's days." She was sewing broderie anglaise. "He thought and wrote, never losing the happy consciousness of her presence." A perfect domestic scene. She thinks about how jealous he'd been of young Prince Tcharsky's flirting: "Goodness! how sweet and silly he is! He's jealous of me!" She wills him to look at her. "I'll will him to!" And he does, turning with a radiant smile. "How happy we are alone together!" They play like children until interrupted by tea time, "darting apart from one another like culprits." But alone afterward, Levin feels "a feeling akin to remorse." There was "something shameful, effeminate, Capuan" in his present mode of life. "It'll soon be three months, and I'm doing next to nothing." He's neglected his agricultural work, can't leave her side, spends his time idly. "I ought myself to be firmer, to maintain my masculine independence of action." Then the darker thought: it's not her fault, but maybe it's her education—"too superficial and frivolous." "Apart from her interest in the house, apart from dress and broderie anglaise, she has no serious interests." She does nothing and is perfectly satisfied. Tolstoy pulls back to show us what Levin cannot see: "He did not as yet understand that she was preparing for that period of activity which was to come for her when she would at once be the wife of her husband and mistress of the house, and would bear, and nurse, and bring up children." She was "instinctively aware of this, and preparing herself for this time of terrible toil, did not reproach herself for the moments of carelessness and happiness in her love that she enjoyed now while gaily building her nest for the future." Levin criticizes her idleness while she prepares for the hardest work of all.

Coming Up in Chapter 140

Levin's comfortable domestic life will soon be interrupted by events that force him to confront deeper questions about meaning, purpose, and the spiritual life he's been avoiding.

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T

hey had just come back from Moscow, and were glad to be alone. He was sitting at the writing-table in his study, writing. She, wearing the dark lilac dress she had worn during the first days of their married life, and put on again today, a dress particularly remembered and loved by him, was sitting on the sofa, the same old-fashioned leather sofa which had always stood in the study in Levin’s father’s and grandfather’s days. She was sewing at broderie anglaise. He thought and wrote, never losing the happy consciousness of her presence. His work, both on the land and on the book, in which the principles of the new land system were to be laid down, had not been abandoned; but just as formerly these pursuits and ideas had seemed to him petty and trivial in comparison with the darkness that overspread all life, now they seemed as unimportant and petty in comparison with the life that lay before him suffused with the brilliant light of happiness. He went on with his work, but he felt now that the center of gravity of his attention had passed to something else, and that consequently he looked at his work quite differently and more clearly. Formerly this work had been for him an escape from life. Formerly he had felt that without this work his life would be too gloomy. Now these pursuits were necessary for him that life might not be too uniformly bright. Taking up his manuscript, reading through what he had written, he found with pleasure that the work was worth his working at. Many of his old ideas seemed to him superfluous and extreme, but many blanks became distinct to him when he reviewed the whole thing in his memory. He was writing now a new chapter on the causes of the present disastrous condition of agriculture in Russia. He maintained that the poverty of Russia arises not merely from the anomalous distribution of landed property and misdirected reforms, but that what had contributed of late years to this result was the civilization from without abnormally grafted upon Russia, especially facilities of communication, as railways, leading to centralization in towns, the development of luxury, and the consequent development of manufactures, credit and its accompaniment of speculation—all to the detriment of agriculture. It seemed to him that in a normal development of wealth in a state all these phenomena would arise only when a considerable amount of labor had been put into agriculture, when it had come under regular, or at least definite, conditions; that the wealth of a country ought to increase proportionally, and especially in such a way that other sources of wealth should not outstrip agriculture; that in harmony with a certain stage of agriculture there should be means of communication corresponding to it, and that in our unsettled condition of the land, railways, called into being by political and not by economic needs, were premature, and instead of promoting agriculture, as was expected of them, they were competing with agriculture and promoting the development of manufactures and credit, and so arresting its progress; and that just as the one-sided and premature development of one organ in an animal would hinder its general development, so in the general development of wealth in Russia, credit, facilities of communication, manufacturing activity, indubitably necessary in Europe, where they had arisen in their proper time, had with us only done harm, by throwing into the background the chief question calling for settlement—the question of the organization of agriculture.

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Why This Matters

Connect literature to life

Skill: Recognizing Invisible Preparation and Gendered Work Standards

This chapter teaches that preparation doesn't always look like action, and that we often judge others' legitimate work as trivial when it doesn't match our own standards for productivity.

Practice This Today

This week, notice when you judge someone's apparent idleness or 'trivial' activities. Ask: what invisible work or preparation might be happening that doesn't match my type of activity?

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Now let's explore the literary elements.

Key Quotes & Analysis

"There was something shameful, effeminate, Capuan, as he called it to himself, in his present mode of life... I ought myself to be firmer, to maintain my masculine independence of action."

— Levin's thoughts

Context: After a sweet domestic moment, feeling guilty about his happiness

The gendered anxiety at the heart of this chapter. Levin equates happiness and intimacy with weakness, domestic contentment with loss of masculine purpose. He must be 'firmer,' more 'independent'—as if love and connection threaten his identity as a man and a serious person.

In Today's Words:

I'm getting too soft, too comfortable. I'm losing my edge. I need to be more independent, maintain my own identity, not let this relationship consume me.

"Apart from her interest in the house, apart from dress and broderie anglaise, she has no serious interests. She does nothing, and is perfectly satisfied."

— Levin's thoughts about Kitty

Context: Criticizing what he sees as Kitty's superficiality

He judges her domestic focus as trivial and her contentment as evidence of shallow character. He cannot see that her sewing, her homemaking, her resting are legitimate activities. His standards for 'serious' work are masculine standards that make her invisible labor illegitimate.

In Today's Words:

All she cares about is decorating and clothes and little hobbies. She has no real ambition or depth. She just does nothing all day and seems fine with that.

"He did not as yet understand that she was preparing for that period of activity which was to come for her... and preparing herself for this time of terrible toil, did not reproach herself for the moments of carelessness and happiness in her love that she enjoyed now while gaily building her nest for the future."

— Narrator

Context: Explaining what Levin cannot see

Tolstoy explicitly shows us Levin's blindness. Kitty knows, instinctively, that she should gather strength before motherhood. Her contentment isn't idleness—it's wise preparation. The narrator's intervention ensures we don't share Levin's limited perspective on what constitutes legitimate activity and purpose.

In Today's Words:

He didn't realize she was getting ready for what's coming—she knew she needed this time to rest and be happy before the really hard work started, and she wasn't going to feel guilty about it.

Thematic Threads

Gendered Productivity Standards

In This Chapter

Levin judges Kitty's domestic focus as trivial and her contentment as evidence of shallow character, applying masculine standards for 'serious' work to dismiss her legitimate labor and preparation

Development

Introduces theme about how gender shapes our understanding of legitimate work and purpose

In Your Life:

You might apply your own standards for productivity to judge others whose work or preparation looks different—domestic labor, emotional work, invisible preparation that doesn't match your type of activity

Fear of Domestication

In This Chapter

Levin's happiness frightens him—he fears it's making him 'Capuan,' soft, effeminate, destroying his masculine independence and serious purpose

Development

Deepens themes about masculinity and the anxiety that connection threatens identity

In Your Life:

You might fear that being in love or content means losing your edge, that intimacy threatens the independent identity you've built, that happiness equals weakness

Invisible Preparation

In This Chapter

Kitty is instinctively preparing for motherhood in ways that look like idleness to Levin—resting, nest-building, gathering strength before 'terrible toil'

Development

Introduces theme about preparation work that isn't visible as traditional productivity

In Your Life:

You might need preparation time that looks like doing nothing—rest before major transitions, thinking time, emotional preparation, biological processes—and need to resist judging this as laziness

The Narrator's Wisdom

In This Chapter

Tolstoy explicitly tells us what Levin 'did not as yet understand,' ensuring we see Kitty's wisdom even though the protagonist cannot

Development

Continues Tolstoy's technique of using narrative distance to show character blindness

In Your Life:

You might read situations through your own limited perspective until later wisdom shows you what was actually happening—what looked like idleness was preparation, what seemed superficial was complex

Contentment and Guilt

In This Chapter

Levin cannot simply enjoy his happiness—he feels 'remorse,' judges himself as 'shameful,' must justify or resist his own contentment

Development

Deepens themes about the difficulty of accepting happiness without guilt or anxiety

In Your Life:

You might struggle to accept contentment without feeling you should be doing more, achieving more, maintaining some performance of serious purpose rather than simply being happy

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You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why does Levin feel 'remorse' and describe his domestic happiness as 'shameful' and 'Capuan'? What does this reveal about his ideas of masculinity?

    analysis • surface
  2. 2

    How does Levin's judgment of Kitty's activities as 'not serious' reflect gendered standards for what counts as legitimate work?

    analysis • medium
  3. 3

    When have you seen someone's invisible preparation or work dismissed as idleness because it didn't look like traditional productivity? What was actually happening beneath the surface?

    application • medium
  4. 4

    Think about your own life: do you apply your standards for productivity to judge others whose work or rhythms look different? What invisible labor might you be failing to recognize?

    reflection • deep
  5. 5

    Why does Tolstoy explicitly tell us what Levin 'did not as yet understand' about Kitty's preparation? What effect does this narrative intervention have on how we read Levin's judgments?

    analysis • deep

Critical Thinking Exercise

15 minutes

Map Your Standards for Legitimate Work

List activities or types of work you unconsciously judge as 'serious' versus 'trivial,' 'real work' versus 'hobbies.' Look for patterns: Are traditionally masculine activities rated higher than feminine ones? Is visible achievement valued over invisible maintenance? Is action always rated above rest or preparation?

Consider:

  • •Consider both career work and domestic work in your assessment
  • •Notice if you value one partner's work over another's in relationships you know
  • •Think about whether you recognize emotional labor, mental load, preparation time as legitimate
  • •Reflect on whether you judge rest or apparent idleness as weakness rather than necessary recovery

Journaling Prompt

Write about a time when you were preparing for something major in ways that looked like idleness or trivial activity to others. What were you actually doing? How did it feel to have your preparation judged or dismissed? Alternatively, write about a time you judged someone else's work or preparation as less legitimate than your own—what did you miss about what they were actually doing?

Coming Up Next...

Chapter 140

Levin's comfortable domestic life will soon be interrupted by events that force him to confront deeper questions about meaning, purpose, and the spiritual life he's been avoiding.

Continue to Chapter 140
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