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Anna Karenina - Chapter 136

Leo Tolstoy

Anna Karenina

Chapter 136

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Summary

Chapter 136

Anna Karenina by Leo Tolstoy

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Anna, Vronsky, and Golenishtchev visit the artist Mihailov's studio. While viewing his paintings, they suddenly cry out in delight over a small picture. 'Oh, how exquisite! What a lovely thing! A gem!' they exclaim. Mihailov is puzzled—what are they excited about? He had completely forgotten this old study he painted three years ago: two boys fishing by a willow tree. The elder boy carefully pulls in his hook, absorbed; the younger lies in the grass with his flaxen head in his hands, staring at the water with dreamy blue eyes. Even Golenishtchev falls under its spell. When asked if it's for sale, Mihailov curtly says yes, annoyed at discussing money. After they leave, Mihailov returns to his real work: the picture of Christ before Pilate they barely understood. He sees a problem with Christ's foreshortened leg and begins correcting it. Meanwhile, Anna, Vronsky, and Golenishtchev walk home 'particularly lively and cheerful,' talking about Mihailov's 'talent.' They keep returning to that picture of the boys. 'What an exquisite thing! How simply done! He doesn't even comprehend how good it is,' says Vronsky, deciding he must buy it. The perfect irony: they completely missed his masterwork, charmed only by the accessible, pretty study. They respond to surface beauty, not artistic depth—exactly what Mihailov suspected about wealthy dilettantes with no real understanding of art.

Coming Up in Chapter 137

Mihailov will paint Anna's portrait, creating an awkward intimacy as the artist truly sees her while Vronsky only admires the surface. Art has a way of revealing what we'd rather keep hidden.

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A

nna and Vronsky had long been exchanging glances, regretting their friend’s flow of cleverness. At last Vronsky, without waiting for the artist, walked away to another small picture.

“Oh, how exquisite! What a lovely thing! A gem! How exquisite!” they cried with one voice.

“What is it they’re so pleased with?” thought Mihailov. He had positively forgotten that picture he had painted three years ago. He had forgotten all the agonies and the ecstasies he had lived through with that picture when for several months it had been the one thought haunting him day and night. He had forgotten, as he always forgot, the pictures he had finished. He did not even like to look at it, and had only brought it out because he was expecting an Englishman who wanted to buy it.

“Oh, that’s only an old study,” he said.

“How fine!” said Golenishtchev, he too, with unmistakable sincerity, falling under the spell of the picture.

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Why This Matters

Connect literature to life

Skill: Recognizing Performed Sophistication

This chapter teaches the difference between genuine appreciation and cultural performance—both in others and, more importantly, in yourself.

Practice This Today

This week, notice when you claim to like something because you think you should versus what you genuinely connect with. What does this reveal about your relationship to culture and status?

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Now let's explore the literary elements.

Key Quotes & Analysis

"What is it they're so pleased with? thought Mihailov. He had positively forgotten that picture he had painted three years ago."

— Narrator

Context: When Anna and Vronsky exclaim over the fishing picture

Mihailov's genuine puzzlement reveals the gap between creator and consumer. What they find delightful, he barely remembers. What he's obsessed with (Christ before Pilate), they don't understand. This is the eternal loneliness of serious creative work.

In Today's Words:

Wait, THAT'S what they're excited about? I forgot that thing even existed.

"What had had such weight with him, while they were there and while he mentally put himself at their point of view, suddenly lost all importance for him."

— Narrator

Context: After his visitors leave and Mihailov returns to his real work

The relief of dropping the performance. While they were there, he tried to see through their eyes and it distorted everything. Alone again, he can return to what actually matters—his own vision, his own standards.

In Today's Words:

As soon as they left, all that stuff that seemed important disappeared. He could finally focus on what he actually cared about.

"He doesn't even comprehend how good it is. Yes, I mustn't let it slip; I must buy it, said Vronsky."

— Vronsky

Context: Walking home, discussing the fishing picture

The final irony: Vronsky thinks the artist doesn't understand his own work's value. In reality, it's Vronsky who doesn't comprehend—not the fishing picture, but the masterwork he completely missed. His confidence in his own judgment is perfectly misplaced.

In Today's Words:

This guy doesn't even realize how great this is! I better grab it before someone else does.

Thematic Threads

Authenticity vs. Pretension

In This Chapter

Anna and Vronsky perform cultured appreciation while missing what's actually significant in Mihailov's work

Development

Extends earlier themes about artificial social performance into the realm of art and culture

In Your Life:

You might notice how people (including yourself) sometimes claim to appreciate things for status rather than genuine connection

Art vs. Commerce

In This Chapter

Mihailov's disgust at discussing money when emotionally vulnerable, the tension between creating and selling

Development

Introduces the theme of creative integrity versus market demands

In Your Life:

You might feel this tension whenever you have to monetize something you care about—turning passion into product feels compromising

The Loneliness of Vision

In This Chapter

Mihailov's isolation in understanding his own work—what he values most, others don't even notice

Development

Deepens themes about isolation and the impossibility of true communication

In Your Life:

You might experience this when others don't 'get' what you've put your heart into, or when your best work goes unrecognized while trivial efforts get praised

Class and Culture

In This Chapter

Wealthy aristocrats using art as social currency without real understanding, collecting culture as status symbols

Development

Continues critique of how upper classes perform sophistication without substance

In Your Life:

You might see this in how certain cultural experiences become status markers—the right restaurants, galleries, books—consumed more for social value than genuine appreciation

Surface vs. Depth

In This Chapter

The accessible, pretty fishing scene versus the challenging, profound Christ before Pilate—and which one the visitors prefer

Development

Introduces a major theme about easy pleasures versus difficult truths

In Your Life:

You might notice how you're drawn to easy, comfortable content over challenging work, and what that reveals about your own depth of engagement

You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    Why do Anna and Vronsky prefer the fishing picture over Mihailov's serious work on Christ before Pilate?

    analysis • surface
  2. 2

    What does Vronsky's comment that Mihailov 'doesn't even comprehend how good it is' reveal about Vronsky's own understanding?

    analysis • medium
  3. 3

    When have you seen people perform cultural sophistication—claiming to appreciate art, music, books, or films without genuine engagement? What specific behaviors reveal the performance?

    application • medium
  4. 4

    Think about your own cultural consumption. When do you engage with something because you genuinely connect with it versus because you think you should, or because it makes you look good?

    reflection • deep
  5. 5

    Why is Mihailov disgusted by having to discuss selling his art? What does this reveal about the tension between creative work and commercial necessity?

    analysis • deep

Critical Thinking Exercise

15 minutes

Map Your Cultural Performance vs. Genuine Engagement

Create two lists: (1) Cultural things you genuinely connect with, even if they're 'simple' or not impressive, and (2) Cultural things you claim to appreciate or think you should like. For each item in list 2, honestly assess: Am I performing sophistication, or do I genuinely appreciate this but feel insecure about it?

Consider:

  • •Include various domains: music, books, films, art, food, etc.
  • •Notice how you talk about items in each list differently
  • •Consider what you consume privately versus what you broadcast publicly
  • •Think about what your choices reveal about status anxiety versus authentic taste

Journaling Prompt

Write about a time you pretended to appreciate something cultural (art, music, literature, film) because you thought you should. What made you perform rather than admit your real reaction? What would it take to be more honest about your actual tastes?

Coming Up Next...

Chapter 137

Mihailov will paint Anna's portrait, creating an awkward intimacy as the artist truly sees her while Vronsky only admires the surface. Art has a way of revealing what we'd rather keep hidden.

Continue to Chapter 137
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