Balancing Passion and Responsibility
Karenin sits through two acts of Italian opera, comes home, and studies the hat stand for a military overcoat. He tells Anna he has lost even his affection for his son because the boy is associated with the repulsion he feels for her. Still he will take him. Good-bye. She is near confinement and begs him to leave the child.
Key Insight
The son is not a sentiment. He is the duty neither lover can rewrite as romance. Karenin will use the boy as policy. Anna cannot take him when she goes.
“But still I shall take him. Good-bye!”Explore full theme analysis






