Don Quixote

WHEREIN IS CONTINUED THE INSTRUCTION GIVEN TO DON QUIXOTE TOUCHING THE DISENCHANTMENT OF DULCINEA, TOGETHER WITH OTHER MARVELLOUS INCIDENTS They saw advancing towards them, to the sound of this pleasing music, what they call a triumphal car, drawn by six grey mules with white linen housings, on each of which was mounted a penitent, robed also in white, with a large lighted wax taper in his hand. The car was twice or, perhaps, three times as large as the former ones, and in front and on the sides stood twelve more penitents, all as white as snow and all with lighted tapers, a spectacle to excite fear as well as wonder; and on a raised throne was seated a nymph draped in a multitude of silver-tissue veils with an embroidery of countless gold spangles glittering all over them, that made her appear, if not richly, at least brilliantly, apparelled. She had her face covered with thin transparent sendal, the texture of which did not prevent the fair features of a maiden from being distinguished, while the numerous lights made it possible to judge of her beauty and of her years, which seemed to be not less than seventeen but not to have yet reached twenty. Beside her was a figure in a robe of state, as they call it, reaching to the feet, while the head was covered with a black veil. But the instant the car was opposite the duke and duchess and Don Quixote the music of the clarions ceased, and then that of the lutes and harps on the car, and the figure in the robe rose up, and flinging it apart and removing the veil from its face, disclosed to their eyes the shape of Death itself, fleshless and hideous, at which sight Don Quixote felt uneasy, Sancho frightened, and the duke and duchess displayed a certain trepidation. Having risen to its feet, this living death, in a sleepy voice and with a tongue hardly awake, held forth as follows: I am that Merlin who the legends say The devil had for father, and the lie Hath gathered credence with the lapse of time. Of magic prince, of Zoroastric lore Monarch and treasurer, with jealous eye I view the efforts of the age to hide The gallant deeds of doughty errant knights, Who are, and ever have been, dear to me. Enchanters and magicians and their kind Are mostly hard of heart; not so am I; For mine is tender, soft, compassionate, And its delight is doing good to all. In the dim caverns of the gloomy Dis, Where, tracing mystic lines and characters, My soul abideth now, there came to me The sorrow-laden plaint of her, the fair, The peerless Dulcinea del Toboso. I knew of her enchantment and her fate, From high-born dame to peasant wench transformed And touched with pity, first I turned the leaves Of countless volumes of my devilish craft, And then, in this grim grisly skeleton Myself encasing, hither have I come To show where lies the fitting remedy To give relief in such a piteous case. O thou, the pride and pink of all that I wear The adamantine steel! O shining light, O beacon, polestar, path and guide of all Who, scorning slumber and the lazy down, Adopt the toilsome life of bloodstained arms! To thee, great hero who all praise transcends, La Mancha’s lustre and Iberia’s star, Don Quixote, wise as brave, to thee I say— For peerless Dulcinea del Toboso Her pristine form and beauty to regain, ’Tis needful that thy esquire Sancho shall, On his own sturdy buttocks bared to heaven, Three thousand and three hundred lashes lay, And that they smart and sting and hurt him well. Thus have the authors of her woe resolved. And this is, gentles, wherefore I have come.