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The Tower and the Betrayal — Ulysses

Ulysses - The Tower and the Betrayal

James Joyce

Ulysses

The Tower and the Betrayal

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Analysis by the Wide Reads editorial team·Reviewed against the source text·Updated February 25, 2026

Summary

The Tower and the Betrayal

Ulysses by James Joyce

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Joyce opens his novel the way a conductor lifts a baton: with a single gesture that sets the tone for everything that follows. Buck Mulligan emerges from the Martello tower's stairhead carrying a shaving bowl like a chalice, intoning Latin Mass words over his lather. It's a mock ceremony: Mulligan performing blasphemy as entertainment, making the sacred ridiculous before breakfast. This opening move: comic, irreverent, brilliant: tells you exactly what kind of book you're in.

Stephen Dedalus watches from the parapet, unsmiling. He and Mulligan share the tower with Haines, a wealthy Englishman collecting Irish folklore the way tourists collect souvenirs. Stephen is financially dependent on Mulligan, which means he cannot afford to react when Mulligan admits: with breezy unconcern: that he told strangers Stephen's mother was "beastly dead." The hurt Stephen names precisely: not the insult to his mother, but the insult to himself. Mulligan doesn't consider Stephen's feelings worth managing. That is the betrayal.

Stephen's guilt over his mother runs deeper than the friendship wound. She died asking him to kneel and pray at her bedside. He refused: an act of intellectual integrity that now haunts him as cruelty. Her glazing, reproachful eyes appear in his memory unbidden. He carries both grief and defiance without knowing how to resolve them.

An Irish milk woman arrives to serve breakfast, deferring to the men, apologizing that she doesn't speak Irish. She is Ireland itself: ancient, dispossessed, serving its conquerors without complaint. When Haines speaks to her in Irish, she assumes it must be French. Stephen watches and says nothing.

At the bathing hole, Mulligan asks Stephen for the tower key: casually, as if it's already his. Stephen hands it over and walks away. He will not return. Joyce ends the chapter on a single word: "Usurper." The young man has been disinherited by the person closest to him, just as Telemachus was. Just as Hamlet was. The novel has begun.

In this chapter: Terms Characters Key Quotes Themes Modern Story

Why This Matters

Connect literature to life

Skill: Reading Power Dynamics

Charm can disguise cruelty until you need something from the person performing it. Stephen wakes in Buck Mulligan's tower, endures mockery about his dead mother, and walks away with the tower key after Mulligan's casual betrayal. Name one relationship where charm covers a power imbalance, and decide what you need before the next favor is asked.

Coming Up in Chapter 2

Stephen leaves the tower for his teaching job at a boys' school, where an encounter with his employer Mr. Deasy will force him to confront his financial dependence and hear unsolicited wisdom about money, history, and Ireland's troubles.

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Original text
7,168 wordscomplete

Chapter 01

The Tower and the Betrayal

Episode 1: Telemachus Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air. He held the bowl aloft and intoned: —Introibo ad altare Dei. Halted, he peered down the dark winding stairs and called out coarsely: —Come up, Kinch! Come up, you fearful jesuit! Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen…

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Now let's explore the literary elements.

Key Quotes & Analysis

"Her glazing eyes, staring out of death, to shake and bend my soul."

— Stephen Dedalus

Context: Stephen remembers his mother's dying gaze

His mother's reproachful eyes haunt him because he refused her deathbed wish to pray. The guilt isn't about religion but about denying comfort to someone he loved in their final moments.

In Today's Words:

On an ordinary Dublin morning that feels anything but ordinary, His mother's reproachful eyes haunt him because he refused her deathbed wish to pray. The guilt isn't about religion but about denying comfort to someone he loved in their final moments. Bloom's day teaches through attention, not argument.

"Episode 1: Telemachus Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed."

— Narrator

Context: From The Tower and the Betrayal

In The Tower and the Betrayal, Joyce uses this line to anchor the chapter's argument: "Episode 1: Telemachus Stately, plump Buck Mulligan came from the stairhead, bearing a bowl..."

In Today's Words:

When your mind will not stay on the script you were given, In The Tower and the Betrayal, Joyce uses this line to anchor the chapter's argument: "Episode 1: Telemachus Stately, plump Buck Mulligan came from the stairhead, bearing a bowl...". Notice whether you are performing resilience or actually inhabiting the moment.

"A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air."

— Narrator

Context: From The Tower and the Betrayal

In The Tower and the Betrayal, Joyce uses this line to anchor the chapter's argument: "A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air."

In Today's Words:

If you have ever performed normal while grieving underneath, In The Tower and the Betrayal, Joyce uses this line to anchor the chapter's argument: "A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air.". Joyce keeps the stakes human even when the prose turns mythic.

"He held the bowl aloft and intoned: —_Introibo ad altare Dei_."

— Narrator

Context: From The Tower and the Betrayal

In The Tower and the Betrayal, Joyce uses this line to anchor the chapter's argument: "He held the bowl aloft and intoned: , _Introibo ad altare Dei_."

In Today's Words:

When comfort becomes a way of not looking, In The Tower and the Betrayal, Joyce uses this line to anchor the chapter's argument: "He held the bowl aloft and intoned: , _Introibo ad altare Dei_.". The pattern still runs through modern work, love, and city life.

Thematic Threads

Dependency

In This Chapter

Stephen relies on Mulligan for housing and social connection despite recognizing Mulligan's cruelty

Development

Introduced here

In Your Life:

You might recognize this when you realize you're tolerating bad treatment because you need something from that person.

Betrayal

In This Chapter

Mulligan mocks Stephen's dead mother to strangers, revealing how little he values their friendship

Development

Introduced here

In Your Life:

You might see this when someone you trust shares your private pain as entertainment for others.

Grief

In This Chapter

Stephen is haunted by his mother's ghost and his refusal to pray at her deathbed

Development

Introduced here

In Your Life:

You might experience this when guilt over disappointing a loved one becomes a constant internal voice.

Colonial Oppression

In This Chapter

Stephen recognizes he serves 'two masters' - England and the Catholic Church - while seeking artistic freedom

Development

Introduced here

In Your Life:

You might feel this when you realize you're living according to systems and expectations that weren't designed for your benefit.

Artistic Ambition

In This Chapter

Stephen struggles to find his voice as an artist while financially dependent on others

Development

Introduced here

In Your Life:

You might relate when your creative dreams feel impossible because you can't afford the risk of pursuing them.

You now have the context. Time to form your own thoughts.

Discussion Questions

This is not a test. Five prompts guide you through the chapter, from how it opens to how it closes, so you notice context and rhythm rather than facts to memorize. Sit with each question in your own words. When you see "One way to read it," treat it as a starting point, not the only answer.

  1. 1

    What happens in the opening of "The Tower and the Betrayal" when Joyce opens his novel the way a conductor lifts a...?

    ▶One way to read it

    Joyce opens by showing Joyce opens his novel the way a conductor lifts a baton: with a single... before the chapter's human stakes sharpen.

    analysis • surface
  2. 2

    Why does the middle of "The Tower and the Betrayal" turn on Her glazing, reproachful eyes appear in his memory unbidden.?

    ▶One way to read it

    The episode escalates when Her glazing, reproachful eyes appear in his memory unbidden., exposing how inner life collides with social pressure.

    analysis • medium
  3. 3

    Where do you see borrowed identity trap in Leo's life or your own?

    ▶One way to read it

    One reading: the same pattern appears when dependency, grief, or desire stays unnamed in daily life.

    application • medium
  4. 4

    If you were Leo watching Bloom's day in "The Tower and the Betrayal", what would you do differently?

    ▶One way to read it

    A practical response is to act with attention and decency before trying to win the room.

    application • deep
  5. 5

    What does "The Tower and the Betrayal" suggest about finding meaning in an ordinary day?

    ▶One way to read it

    It suggests that a fully inhabited ordinary day can hold more truth than any grand narrative.

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Dependencies

List three important relationships in your life where you depend on the other person for something significant - money, housing, emotional support, social connection. For each relationship, honestly assess: Do they need you as much as you need them? What would happen if this relationship ended tomorrow? What's one small step you could take to become less dependent in each situation?

Consider:

  • •Dependencies aren't always bad - the goal is recognizing when they create unhealthy power imbalances
  • •Small steps toward independence often feel scary because dependency can feel safer than risk
  • •The most dangerous dependencies are the ones we don't acknowledge to ourselves

Journaling Prompt

Write about a time when you stayed in a situation that wasn't good for you because you felt you had no other choice. What would you tell your past self now?

Coming Up Next...

Chapter 2: The Wisdom of Authority

Stephen leaves the tower for his teaching job at a boys' school, where an encounter with his employer Mr. Deasy will force him to confront his financial dependence and hear unsolicited wisdom about money, history, and Ireland's troubles.

Continue to Chapter 2
Contents
Next
The Wisdom of Authority
Keep exploring

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Study guides, teaching tools, themes, and the full library.More ways to read Ulysses: study guides, teaching tools, and the wider library.

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What this chapter teaches

Theme analyses that draw on this chapter and apply it to modern life.

  • Finding Meaning Without Grand NarrativeStephen Dedalus wakes in a Martello tower haunted by his dead mother, Ireland, and the Catholic Church — all of which want to give him a story to inhabit. He refuses all of them. But he has not yet found his own. The chapter opens with the urgent question: what do you live by when you will not live by the inherited narratives?
  • Understanding Your Inner LifeStephen Dedalus wakes to Buck Mulligan

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