Wide Reads
Literature MattersLife IndexEducators
Sign in
Where to Begin
Jude the Obscure - Outside All Laws

Thomas Hardy

Jude the Obscure

Outside All Laws

Home›Books›Jude the Obscure›Chapter 20
Previous
20 of 53
Next

Summary

Jude and Sue take their first real adventure together—a day trip to see art at Wardour Castle that turns into an unexpected overnight stay in a shepherd's cottage. The outing reveals the complex dynamics of their relationship: Sue's contradictory nature (claiming to hate convention while being deeply conventional), Jude's growing infatuation, and the sexual tension neither acknowledges directly. When they miss their train back, they're forced to spend the night in separate rooms at a rural cottage, an arrangement that highlights their unmarried status and the social boundaries they're navigating. Sue declares she likes being 'outside all laws except gravitation and germination,' claiming an inner wildness she calls 'the Ishmaelite,' but Jude sees through her romantic self-image, calling her 'quite a product of civilization.' The chapter captures the intoxicating nature of their connection—how ordinary moments (calling for her at college, walking with a makeshift walking stick, sharing a simple meal) become charged with meaning when you're falling for someone. Sue's parting gift of her photograph signals her awareness of Jude's feelings, even as she maintains emotional distance. The ominous glance from the porter when they return suggests their adventure may have consequences, foreshadowing the restrictions and judgments that will increasingly constrain their relationship.

Coming Up in Chapter 21

Back at the training school, Sue faces the consequences of her overnight absence. The community of young women becomes a crucible where reputations are made and destroyed, and Sue's unconventional behavior hasn't gone unnoticed.

Share it with friends

Previous ChapterNext Chapter
GO ADS FREE — JOIN US
Original text
complete·1,227 words
T

“o-morrow is our grand day, you know. Where shall we go?”

“I have leave from three till nine. Wherever we can get to and come back from in that time. Not ruins, Jude—I don’t care for them.”

“Well—Wardour Castle. And then we can do Fonthill if we like—all in the same afternoon.”

“Wardour is Gothic ruins—and I hate Gothic!”

“No. Quite otherwise. It is a classic building—Corinthian, I think; with a lot of pictures.”

“Ah—that will do. I like the sound of Corinthian. We’ll go.”

Their conversation had run thus some few weeks later, and next morning they prepared to start. Every detail of the outing was a facet reflecting a sparkle to Jude, and he did not venture to meditate on the life of inconsistency he was leading. His Sue’s conduct was one lovely conundrum to him; he could say no more.

1 / 8

Master this chapter. Complete your experience

Purchase the complete book to access all chapters and support classic literature

Read Free on GutenbergBuy at Powell'sBuy on Amazon

As an Amazon Associate, we earn a small commission from qualifying purchases at no additional cost to you.

Available in paperback, hardcover, and e-book formats

GO ADS FREE — JOIN US

Why This Matters

Connect literature to life

Skill: Detecting Performed Rebellion

This chapter teaches how to spot the gap between someone's self-image as unconventional and their actual conventional behavior.

Practice This Today

This week, notice when people talk revolution but live safely—including yourself. Ask: 'What would genuine independence actually cost here?'

GO ADS FREE — JOIN US

Now let's explore the literary elements.

Key Quotes & Analysis

"I like being outside all laws except gravitation and germination"

— Sue

Context: She's explaining her philosophy while they're having their outdoor meal

This reveals Sue's romantic view of herself as naturally wild and free. But it's telling that even her rebellion is expressed in educated, philosophical terms. She wants to be seen as a natural force, but her language shows she's very much a product of civilization.

In Today's Words:

I don't follow society's rules - I just do what comes naturally

"You are quite a product of civilization"

— Jude

Context: His response to Sue's claim about being outside all laws

Jude sees through Sue's romantic self-image. He recognizes that her rebellion is intellectual and learned, not instinctual. This shows his growing understanding of her contradictory nature, even as he remains infatuated.

In Today's Words:

You're not as wild as you think you are - you're actually pretty conventional

"Nobody stared at Sue, because she was so plainly dressed, which comforted Jude in the thought that only himself knew the charms those habiliments subdued"

— Narrator

Context: Describing their walk to the train station

This captures the intoxicating feeling of secret knowledge when you're attracted to someone. Jude feels special because he alone sees Sue's hidden beauty beneath her plain clothes. It's both romantic and possessive.

In Today's Words:

He loved that he was the only one who could see how amazing she really was

Thematic Threads

Self-Deception

In This Chapter

Sue creates a romantic self-image as an 'Ishmaelite' while her actions reveal deep conventionality

Development

Building from earlier chapters where characters justify their choices

In Your Life:

You might recognize this when you talk about change but avoid the hard work of actually changing

Social Boundaries

In This Chapter

The overnight stay forces them to confront unmarried status and social expectations

Development

Escalating from previous chapters' class and propriety concerns

In Your Life:

You see this in situations where unwritten rules dictate behavior more than written ones

Romantic Tension

In This Chapter

Ordinary moments become charged with meaning as Jude falls deeper while Sue maintains distance

Development

Intensifying the attraction established in earlier encounters

In Your Life:

You might experience this when friendship boundaries blur but neither person acknowledges it directly

Identity Performance

In This Chapter

Sue performs wildness and unconventionality while being 'quite a product of civilization'

Development

New theme introduced through Sue's character

In Your Life:

You might catch yourself crafting an image that doesn't match your actual choices and values

Unspoken Consequences

In This Chapter

The porter's knowing glance hints that their innocent adventure may have social repercussions

Development

Continuing the theme of hidden costs from earlier chapters

In Your Life:

You see this when small choices in relationships or work have implications you didn't consider

You now have the context. Time to form your own thoughts.

Discussion Questions

  1. 1

    What specific contradictions do you notice between what Sue says about herself and how she actually behaves during their day trip?

    analysis • surface
  2. 2

    Why does Sue need to see herself as an 'Ishmaelite' living outside social laws, and how does this self-image protect her from real risk?

    analysis • medium
  3. 3

    Where do you see people today performing rebellion or independence while actually staying safely within conventional boundaries?

    application • medium
  4. 4

    How can you tell the difference between genuine independence and performed rebellion in your own choices and the choices of people around you?

    application • deep
  5. 5

    What does Sue's pattern reveal about why people often choose the appearance of freedom over actual freedom, and what would real freedom cost her?

    reflection • deep

Critical Thinking Exercise

10 minutes

Map Your Own Freedom Performance

Think of three areas where you consider yourself independent or unconventional. For each area, write down one specific example of how you express this independence, then honestly assess whether this expression involves real risk or meaningful change in your life. Look for gaps between your self-image and your actual choices.

Consider:

  • •Consider whether your 'rebellious' choices have real consequences or just feel rebellious
  • •Notice if you perform independence in safe spaces while conforming where it actually matters
  • •Ask yourself what genuine independence would cost you in relationships, security, or social standing

Journaling Prompt

Write about a time when you chose safety over authenticity, or when you realized you were performing rebellion rather than living it. What would one genuinely independent choice look like in your current situation?

Coming Up Next...

Chapter 21: Sue's Desperate Escape Through the River

Back at the training school, Sue faces the consequences of her overnight absence. The community of young women becomes a crucible where reputations are made and destroyed, and Sue's unconventional behavior hasn't gone unnoticed.

Continue to Chapter 21
Previous
A New Path to Purpose
Contents
Next
Sue's Desperate Escape Through the River

Continue Exploring

Jude the Obscure Study GuideTeaching ResourcesEssential Life IndexBrowse by ThemeAll Books
Social Class & StatusIdentity & Self-DiscoveryMoral Dilemmas & Ethics

You Might Also Like

Jane Eyre cover

Jane Eyre

Charlotte Brontë

Explores personal growth

Great Expectations cover

Great Expectations

Charles Dickens

Explores personal growth

The Strange Case of Dr Jekyll and Mr Hyde cover

The Strange Case of Dr Jekyll and Mr Hyde

Robert Louis Stevenson

Explores personal growth

Don Quixote cover

Don Quixote

Miguel de Cervantes Saavedra

Explores personal growth

Browse all 47+ books

Share This Chapter

Know someone who'd enjoy this? Spread the wisdom!

TwitterFacebookLinkedInEmail

Read ad-free with Prestige

Get rid of ads, unlock study guides and downloads, and support free access for everyone.

Subscribe to PrestigeCreate free account
Intelligence Amplifier
Intelligence Amplifier™Powering Wide Reads

Exploring human-AI collaboration through books, essays, and philosophical dialogues. Classic literature transformed into navigational maps for modern life.

2025 Books

→ The Amplified Human Spirit→ The Alarming Rise of Stupidity Amplified→ San Francisco: The AI Capital of the World
Visit intelligenceamplifier.org
hello@widereads.com

WideReads Originals

→ You Are Not Lost→ The Last Chapter First→ The Lit of Love→ Wealth and Poverty→ 10 Paradoxes in the Classics · coming soon
Arvintech
arvintechAmplify your Mind
Visit at arvintech.com

Navigate

  • Home
  • Library
  • Essential Life Index
  • How It Works
  • Subscribe
  • Account
  • About
  • Contact
  • Authors
  • Suggest a Book
  • Landings

Made For You

  • Students
  • Educators
  • Families
  • Readers
  • Literary Analysis
  • Finding Purpose
  • Letting Go
  • Recovering from a Breakup
  • Corruption
  • Gaslighting in the Classics

Newsletter

Weekly insights from the classics. Amplify Your Mind.

Legal

  • Privacy Policy
  • Terms of Service
  • Cookie Policy
  • Accessibility

Why Public Domain?

We focus on public domain classics because these timeless works belong to everyone. No paywalls, no restrictions—just wisdom that has stood the test of centuries, freely accessible to all readers.

Public domain books have shaped humanity's understanding of love, justice, ambition, and the human condition. By amplifying these works, we help preserve and share literature that truly belongs to the world.

A Pilgrimage

Powell's City of Books

Portland, Oregon

If you ever find yourself in Portland, walk to the corner of Burnside and 10th. The building takes up an entire city block. Inside is over a million books, new and used on the same shelf, organized by color-coded rooms with names like the Rose Room and the Pearl Room. You can lose an afternoon. You can lose a weekend. You will find a book you have been looking for your whole life, and three you did not know existed.

It is a pilgrimage. We cannot find a bookstore like it anywhere on earth. If you read the classics, and you ever get the chance, go. It belongs on every reader's bucket list.

Visit powells.com

We are not in any way affiliated with Powell's. We are just a very big fan.

© 2026 Wide Reads™. All Rights Reserved.

Intelligence Amplifier™ and Wide Reads™ are proprietary trademarks of Arvin Lioanag.

Copyright Protection: All original content, analyses, discussion questions, pedagogical frameworks, and methodology are protected by U.S. and international copyright law. Unauthorized reproduction, distribution, web scraping, or use for AI training is strictly prohibited. See our Copyright Notice for details.

Disclaimer: The information provided on this website is for general informational and educational purposes only and does not constitute professional, legal, financial, or technical advice. While we strive to ensure accuracy and relevance, we make no warranties regarding completeness, reliability, or suitability. Any reliance on such information is at your own risk. We are not liable for any losses or damages arising from use of this site. By using this site, you agree to these terms.