Recognizing Your Own Blind Spots
Unpracticed at Being Wrong
The narrator pauses for Mr. Weston's history: an unhappy marriage to Miss Churchill, trade, twenty years of recovery, and a second chance at Randalls. Emma is not in the room, but the chapter trains the reader in how Highbury narrates love as arrangement and outcome—material Emma will later treat as a skill she already owns.
Key Insight
Communities rehearse the stories that later feel like facts. When marriages are already read as plots, certainty about other people's futures starts before anyone asks the principals.







