Mina Harker's journal follows the overland dash toward Dracula's country while the river hunt continues elsewhere. She records peasants crossing themselves at her scar, garlic hidden in food, and a deliberate decision to keep hat and veil on so fear of the evil eye does not spread faster than their horses. Van Helsing pays well, swaps horses hourly, and treats her with rough kindness, making her sleep while he drives toward Bistritz. Hypnotic reports still say darkness, lapping water, and creaking wood, proof the Count remains boxed on the river though Mina's link is thinning. The Carpathians rise, snow threatens, and both travellers cheer each other while dreading the place where Jonathan suffered.
Van Helsing's memorandum to Seward supplies the colder record. At the Borgo Pass he hypnotises Mina for shorter answers each time, then watches her point to Jonathan's little-used mountain road with knowledge she claims from his diary. She sleeps heavily through hours he cannot explain, waking once with a brightness that frightens him more than weakness. Near sunset on the ascent he draws a holy circle with crumbled wafer, sees mist-women take shape, and learns Mina cannot step outside the ring though she calmly tells him she is safer there than he is. The horses scream and die under snow; he keeps watch inside protections that hold.
While Mina sleeps within the circle, the Professor enters Castle Dracula with hammer, wafer, and Jonathan's map-memory. Sulphurous air and wolf-howls press on him, yet Mina's distant wail steels him to destroy the three Un-Dead women in the chapel, stake and sever each, then find the great empty tomb marked only DRACULA and banish the King-Vampire from his own resting place with Host and broken hinges. He admits the fascination that nearly paralysed him beside each tomb, and the soul-wail from Mina that restored his purpose. Each stake and severance returns a centuries-old predator to dust, leaving only the great empty sarcophagus where wafer and broken hinges deny the King-Vampire future refuge.
Dr. Seward compresses days of hard riding along the bank: news at Fundu that the launch turned into the Bistritza, anxiety about snow and sledges, and rumours of rapids that delayed the steamers while gypsy boats passed hours ahead. Jonathan curses a launch accident that cost precious hours, then presses upriver under a Roumanian flag that turns frightened boatmen into deferential witnesses. His journal tracks cold watches, electric lamps, and repair work that kept them from closing sooner. Morris and Seward ride until they see Szgany with a leiter-wagon before dawn on 5 November, snow falling, wolves howling, each squad ignorant of the others' exact mile yet counting hours toward the same sunset.
On 6 November, Mina and Van Helsing descend toward the river valley, spot the castle silhouette on its precipice, and hide in a rock hollow he chooses for defence. Through field-glasses they watch a leiter-wagon cart with a great chest race along the snow while gypsy outriders whip horses toward sunset. Jonathan and Godalming close from one angle, Seward and Morris from another; Van Helsing draws another circle, loads a Winchester, and whispers that all parties converge as wolves circle. At Jonathan's and Morris's shouts the carriers halt; guns and knives flash; Jonathan vaults the cart and throws the box to earth while Quincey forces through blood from a gypsy knife. The gypsy leader points to the sinking sun and the castle as if invoking a law the hunters no longer respect. Winchesters ring the wagon; Van Helsing and Mina rise from the rock; nobody in the party knows the others are near until the road becomes a knot of horses, blades, and curses in three languages. The lid yields to kukri and bowie just as the sun sinks; Dracula's pale face turns from hate to triumph, then to dust as the blades strike together.
Quincey collapses with a spurting wound he ignores until the work is done. In his last breath he points to Mina's forehead as sunlight touches it, and the men kneel when he says the curse has passed away. Gypsies flee, wolves follow them, and the survivors stand in bitter victory: the Un-Dead lord gone, the castle gutted of its brides, yet the bravest of their company dying on the snow. Stoker keeps the epistolary voices separate until the last mile, then lets them collide without rehearsal. Mina, marked and purified, watches the man who courted her in London die praising the whiteness of her brow; Jonathan holds Quincey while Godalming and Seward bind wounds too late to matter. Castle Dracula stands articulated against the red sky, broken but still visible, a reminder that destroying a nest does not erase memory of what lived there. The chapter closes not on triumph alone but on costly convergence, every route, vow, and sacrifice arriving in a single sunset minute.