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Svidrigailov at the Tavern — Crime and Punishment

Crime and Punishment - Svidrigailov at the Tavern

Fyodor Dostoevsky

Crime and Punishment

Svidrigailov at the Tavern

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Analysis by the Wide Reads editorial team·Reviewed against the source text·Updated November 28, 2025

Summary

Svidrigailov at the Tavern

Crime and Punishment by Fyodor Dostoevsky

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Part VI Chapter III sends Raskolnikov to Svidrigailov after Porfiry's open accusation, not to the police or the Haymarket cross Sonia described. He wonders whether Svidrigailov has been to Porfiry, whether manoeuvring to block that visit is even worth the fatigue, and fears the man knows his secret and may use Dunya if he learned it from the wall. Dunya's letter that morning gnaws at him; Luzhin or another hand may be moving. He thinks he should tell Razumihin but recoils. In cold despair he decides that then he shall kill him if his sister is harmed. Sonia stands in his mind as an irrevocable sentence he cannot face yet; Svidrigailov is the meeting he cannot postpone, though their evil is not the same kind.

On X. Prospect he finds Svidrigailov in a tavern window with a pipe, then in a dirty back room with champagne, a hand-organ girl named Katia, and obsequious Philip. The saloon roars with singers and billiards while they sit over half a glass and leftover steak. Each watched the other pretend not to see; each accuses the other of feigning sleep at the doorway. Svidrigailov mocks miracle talk, says he told Raskolnikov the tavern address twice while he lay on the sofa, and claims it has been stamped mechanically on his memory, then lectures on Petersburg men who walk talking to themselves and warns that someone besides him may be watching.

Raskolnikov cuts through the performance: if Svidrigailov pursues Dunya using what was discovered, I will kill you before you get me locked up. He demands any real news at once because time is precious. Svidrigailov laughs at plans, calls himself nothing with no specialty, admits card-sharping and a passion for women, debates vice as occupation and disease, then flinches from suicide talk and admits he is afraid of death and somewhat a mystic. He is rushing off to a casual woman but will spare an hour, he says, and hid like a schoolboy in the window because Raskolnikov might hinder him from whatever appointment pulls him away. Raskolnikov rises, disgusted at the braggart Schiller talk and the filth of the room; Svidrigailov begs him stay and offers to tell how a woman tried to save him, your sister, adding that Avdotya Romanovna can only excite the deepest respect.

The chapter is the tavern duel of two predators, not Raskolnikov's police confession or kissing the earth at Sonia's command. He leaves still sickened by Svidrigailov's face like a young mask and by the offer hanging in the air. Part VI Chapter IV continues Svidrigailov's long story of Dunya and what happened when she tried to save him.

In this chapter: Terms Characters Key Quotes Themes Modern Story

Why This Matters

Connect literature to life

Skill: Reading a Staged Coincidence

A meeting that feels fated is often a direction you were given twice while half listening. Svidrigailov sits in the tavern window on the X Prospect, says he stamped the address on Raskolnikov's memory, and moves toward a story about Dunya. Before you trust chance, ask who told you where to go and what family lever comes next.

Coming Up in Chapter 35

Svidrigailov tells how Dunya once tried to save him, binding Raskolnikov's jealousy and dread before the next move toward Sonia or the police.

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Original text
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Chapter 34

Svidrigailov at the Tavern

He hurried to Svidrigaïlov’s. What he had to hope from that man he did not know. But that man had some hidden power over him. Having once recognised this, he could not rest, and now the time had come. On the way, one question particularly worried him: had Svidrigaïlov been to Porfiry’s? As far as he could judge, he would swear to it, that he had not. He pondered again and again, went over Porfiry’s visit; no, he hadn’t been, of course he hadn’t. But if he had not been yet, would he go? Meanwhile, for the present he fancied…

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Now let's explore the literary elements.

Key Quotes & Analysis

"it may be only chance"

— Raskolnikov

Context: After turning onto X. Prospect and finding Svidrigailov in the window

Refuses miracle; Svidrigailov will claim he engineered the meeting.

In Today's Words:

When Svidrigailov calls their meeting a miracle, Raskolnikov answers that it may be only chance. He wants to keep agency, but the chapter will show the address was planted in his memory while he was half asleep. Coincidence and manipulation often look the same until someone explains the setup and laughs at your need to believe in fate.

"I will kill you before you get me locked up"

— Raskolnikov

Context: Threat if Svidrigailov uses discoveries against Dunya

Violence offered as protection before surrender to law.

In Today's Words:

Raskolnikov tells Svidrigailov he will kill him before he gets him locked up if he pursues Dunya with what was discovered. It is not a noble speech but a desperate line drawn around his sister. Sometimes the first plan you voice is murder because confession still feels impossible.

"afraid of death"

— Svidrigailov

Context: Rejecting bravado about shooting himself

Predator admits limits; sets up his later end differently than Raskolnikov's arc.

In Today's Words:

When Raskolnikov pushes him on suicide, Svidrigailov says he is afraid of death and dislikes its being talked of, calling it an unpardonable weakness. The man who preaches vice still clings to life and even calls himself a mystic. Do not confuse loud cynicism with someone who will actually accept consequences or die on principle.

"Avdotya Romanovna can only excite the deepest respect"

— Svidrigailov

Context: Before telling how Dunya tried to save him

Courtesy before a story that will bind Raskolnikov's rage.

In Today's Words:

Svidrigailov promises that even a worthless man like him can feel that Avdotya Romanovna can only excite the deepest respect, then offers to tell how she tried to save him. Flattery arrives right before a story meant to hook you. When a dangerous man praises your family, brace for what he wants in return.

Thematic Threads

Svidrigailov

In This Chapter

Tavern, memory, vice

Development

Dual with Raskolnikov

Dunya

In This Chapter

Letter, threat, story

Development

Leverage named

Sonia

In This Chapter

Irrevocable sentence

Development

Path not taken yet

Surveillance

In This Chapter

Window, sleep feint

Development

Mutual watching

Violence

In This Chapter

Kill before lockup

Development

Option before surrender

You now have the context. Time to form your own thoughts.

Discussion Questions

This is not a test. Five prompts guide you through the chapter, from how it opens to how it closes, so you notice context and rhythm rather than facts to memorize. Sit with each question in your own words. When you see "One way to read it," treat it as a starting point, not the only answer.

  1. 1

    After Porfiry's accusation, why does Raskolnikov seek Svidrigailov instead of Sonia or the police?

    ▶One way to read it

    He fears Svidrigailov knows the secret and may harm Dunya. Sonia's sentence feels unbearable; Svidrigailov is the rival evil he thinks he can fight.

    analysis • surface
  2. 2

    In the tavern Svidrigailov says he came to Petersburg for Dunya, not spying. How does Rodya read that?

    ▶One way to read it

    He hears confession of eavesdropping and menace beneath champagne calm. Both men spy; neither trusts the other's story of motives.

    analysis • medium
  3. 3

    They accuse each other of listening at doors and worse crimes. What parity does Rodya hate?

    ▶One way to read it

    Svidrigailov places eavesdropping beside axe murder as vulgar kinship. Rodya refuses help from a brute yet shares the same moral basement.

    application • medium
  4. 4

    Rodya says if Dunya is harmed he will kill Svidrigailov. What does that threat reveal?

    ▶One way to read it

    Family love still moves him more than theory. Violence remains his language when cornered, even after murder and police pursuit.

    analysis • deep
  5. 5

    The chapter ends with Svidrigailov offering to tell about your sister. Why is that hook ominous?

    ▶One way to read it

    It promises Dunya's story as leverage or confession. Rodya follows him into the night where revolver and suicide wait.

    reflection • deep

Critical Thinking Exercise

Map a Planted Meeting

Describe a time you arrived somewhere without planning to and found someone waiting who claimed it was fate. What directions had you heard before? What did they want to discuss about someone you love?

Consider:

  • •Who repeated the address or time
  • •Whether you were tired or distracted when told
  • •What story about family followed the coincidence

Coming Up Next...

Chapter 35: Svidrigailov on Dunya

Svidrigailov tells how Dunya once tried to save him, binding Raskolnikov's jealousy and dread before the next move toward Sonia or the police.

Continue to Chapter 35
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Porfiry Names the Murderer
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