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Luzhin Regroups — Crime and Punishment

Crime and Punishment - Luzhin Regroups

Fyodor Dostoevsky

Crime and Punishment

Luzhin Regroups

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Analysis by the Wide Reads editorial team·Reviewed against the source text·Updated November 28, 2025

Summary

Luzhin Regroups

Crime and Punishment by Fyodor Dostoevsky

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Part V opens on a new arc the morning after Pyotr Petrovitch Luzhin's fateful interview with Dounia and her mother. The black snake of wounded vanity gnaws him; he checks the mirror, comforts himself that he will find another bride, then spits at reality. Mistakes multiply: he told Lebeziatnikov too much, hits a hitch in his senate case, loses money on the broken engagement flat and furniture to a German landlord and upholsterers, regrets false economy instead of showering Dunya with presents that would bind her conscience. Am I to get married simply for the sake of the furniture? he mutters, wishing he could slay Raskolnikov by wishing it, then broods that a trousseau would have made Dunya too ashamed to break the match.

Passing the lodgings, he learns of Katerina Ivanovna's grand memorial dinner, hears Raskolnikov will attend, and trades barbs with Lebeziatnikov, the well-meaning progressive lodger Luzhin both despises and fears for exposing him to Petersburg radicals. Luzhin once courted progressives to avoid being shown up; now he mocks memorial dinners, Sonia's trade, and Lebeziatnikov's Fourier babble about communities, cesspools, and everything which is of use as honourable. He baits him about thrashing Katerina and developing Sonia, sneers at free marriage letters, and laughs at debates over whether a commune member may enter another's room. When Luzhin counts bonds, cruelty and boredom mix until he asks Lebeziatnikov to bring Sonia in, keeps him at the window so Raskolnikov cannot twist a private talk, and begins his performance.

To Sonia he plays the benefactor: excuses for missing the dinner, denies promising a pension though Katerina believed it, then offers subscription or lottery help while insisting money is unsafe to put into Katerina Ivanovna's own hands because today's rum and coffee prove she will waste any aid. She stares at his notes on the table, his ring and eyeglass, too ashamed to look at money yet trapped in politeness. Sonia weeps; he hands her a carefully unfolded ten-rouble note for the family, anxious his name stay secret. She flees back to Katerina confused. Lebeziatnikov, who heard and saw everything, praises the humane charity; Luzhin dismisses him and broods, excited, rubbing his hands, already planning something darker while the progressive lectures on free marriage and children as a social question.

The chapter is Luzhin regrouping after Dunya's rejection, not Svidrigailov's past, not Raskolnikov's confession to Sonia, not the memorial-dinner frame-up yet. Raskolnikov is only a feared guest at the feast; Svidrigailov does not appear. It sets the ten-rouble gift, the window witness, and Luzhin's excited silence before the lodgers gather again under Katerina's roof.

In this chapter: Terms Characters Key Quotes Themes Modern Story

Why This Matters

Connect literature to life

Skill: Spotting Performative Charity

Wounded vanity often rehearses charity before it rehearses revenge. Luzhin broods over lost furniture money, brings ten roubles to Katerina with witnesses and a letter for Dunya, and plans a memorial dinner he will not attend. Notice when help arrives with an audience, a receipt, and a story you are meant to repeat.

Coming Up in Chapter 28

At Katerina Ivanovna's memorial dinner, Luzhin's ten-rouble gift and his need for a witness will collide with Raskolnikov and the whole lodgers' room.

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Original text
6,134 wordscomplete

Chapter 27

Luzhin Regroups

PART V CHAPTER I The morning that followed the fateful interview with Dounia and her mother brought sobering influences to bear on Pyotr Petrovitch. Intensely unpleasant as it was, he was forced little by little to accept as a fact beyond recall what had seemed to him only the day before fantastic and incredible. The black snake of wounded vanity had been gnawing at his heart all night. When he got out of bed, Pyotr Petrovitch immediately looked in the looking-glass. He was afraid that he had jaundice. However his health seemed unimpaired so far, and looking at his noble,…

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Now let's explore the literary elements.

Key Quotes & Analysis

"The black snake of wounded vanity had been gnawing at his heart all night."

— Narrator (Luzhin)

Context: Morning after Dunya and her mother ended the engagement

Luzhin's self-pity frames every calculation that follows.

In Today's Words:

The narrator says a black snake of wounded vanity gnawed Luzhin all night after Dunya rejected him. His hurt vanity is not background noise; it is the engine for every petty and cruel choice he makes that morning. When someone feels publicly humiliated, watch how quickly they convert shame into schemes against others.

"Am I to get married simply for the sake of the furniture?"

— Pyotr Petrovitch Luzhin

Context: Facing forfeit money on the flat and lost upholsterer payments

Reduces people to transactions; reveals his material view of marriage.

In Today's Words:

Luzhin grinds his teeth and asks whether he was supposed to marry only for the furniture. He mourns sunk costs on the flat and decor, not the woman he lost. When a relationship ends, notice who counts the lease and the couch before they count the person they harmed.

"revolting convention of memorial dinners"

— Lebeziatnikov

Context: Refusing Katerina's funeral feast; Luzhin mocks him in reply

Progressive rhetoric meets Luzhin's sneer at Marmeladov charity.

In Today's Words:

Lebeziatnikov says he will not join the revolting convention of memorial dinners on principle, though he might go to protest. Luzhin uses progressive language as cover while despising the poor widow's feast and her rum. Ideology and snobbery often share a room when someone wants an excuse to skip compassion while still feeling superior.

"unsafe to put it into Katerina Ivanovna’s own hands"

— Pyotr Petrovitch Luzhin

Context: Offering charity through Sonia while judging Katerina's spending

Benevolence as control; sets up distrust before the ten-rouble trap.

In Today's Words:

Luzhin tells Sonia it is unsafe to put money into Katerina Ivanovna's own hands because she spent on rum instead of bread. He sounds prudent but he is building a story where only he controls the cash. Help that insists on distrusting the recipient is often preparation for blame, not care.

Thematic Threads

Luzhin

In This Chapter

Vanity, furniture, ten roubles

Development

Schemes after Dunya's rejection

Sonia

In This Chapter

Summoned, weeping, note

Development

Target of his next move

Class

In This Chapter

Mocking memorial feast, Sonia

Development

Contempt under politeness

Progressives

In This Chapter

Lebeziatnikov's commune talk

Development

Satire and cover

Money

In This Chapter

Bonds, subscription lie, gift

Development

Control disguised as aid

You now have the context. Time to form your own thoughts.

Discussion Questions

This is not a test. Five prompts guide you through the chapter, from how it opens to how it closes, so you notice context and rhythm rather than facts to memorize. Sit with each question in your own words. When you see "One way to read it," treat it as a starting point, not the only answer.

  1. 1

    The morning after Dunya's rejection, what mistakes does Luzhin count in the mirror?

    ▶One way to read it

    He regrets telling Lebeziatnikov too much, stingy presents, lost furniture deposits, and wounded vanity. He still plots against Rodya and the memorial dinner.

    analysis • surface
  2. 2

    Why does Luzhin insist progressive Lebeziatnikov witness his visit to Sonia?

    ▶One way to read it

    He wants respectability and a future alibi while sounding charitable. A witness turns private help into managed theater.

    analysis • medium
  3. 3

    Luzhin praises Katerina's pride while condemning her waste on the dinner. How does that contradict his ten-rouble gift?

    ▶One way to read it

    He poses as patron yet resents every copeck not spent on his terms. The gift is bait, not solidarity with Marmeladov's family.

    application • medium
  4. 4

    Lebeziatnikov thinks the ten roubles prove Luzhin's nobility. What is he missing?

    ▶One way to read it

    He cannot see the frame-up building: documented charity before accusation. Good intentions in Lebeziatnikov blind him to Luzhin's revenge plot.

    analysis • deep
  5. 5

    Where have you seen help offered only with a witness or hidden strings attached?

    ▶One way to read it

    Luzhin models transactional virtue: generosity recorded for later leverage. The chapter warns that witnesses can serve the giver, not the recipient.

    reflection • deep

Critical Thinking Exercise

Audit a Gift With Strings

Recall a time someone offered money or favors through a third party, asked for anonymity, or kept a witness nearby. Write what was said publicly, what was private, and what happened later.

Consider:

  • •Who controlled how the money was described
  • •Whether a witness was present and why
  • •Whether the gift later became evidence or blame

Coming Up Next...

Chapter 28: The Memorial Dinner

At Katerina Ivanovna's memorial dinner, Luzhin's ten-rouble gift and his need for a witness will collide with Raskolnikov and the whole lodgers' room.

Continue to Chapter 28
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Nikolay's Confession
Contents
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The Memorial Dinner
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