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The Awakening of Desire — Jane Eyre

Jane Eyre - The Awakening of Desire

Charlotte Brontë

Jane Eyre

The Awakening of Desire

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Analysis by the Wide Reads editorial team·Reviewed against the source text·Updated November 27, 2025

Summary

The Awakening of Desire

Jane Eyre by Charlotte Brontë

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After the typhus epidemic at Lowood drew public attention, an inquiry exposed the school's bad site, the children's wretched food and brackish water, and their poor clothing. Wealthy benefactors fund a more convenient building in a better situation; a committee takes over the funds; Mr. Brocklehurst is kept on as treasurer but is now answerable to inspectors of more enlarged and sympathising minds. The school becomes a genuinely useful institution. Jane stays eight years total: six as pupil, two as teacher.

Through all of that, Miss Temple has been mother, governess, and companion to her. Miss Temple then marries the Rev. Mr. Nasmyth and is taken away to a distant county. Jane spends the half-holiday alone in her room and works out, by evening, that the serene atmosphere she had been breathing was Miss Temple's, not hers; the old restlessness has come back. She goes to the window, looks past the garden to the blue peaks, and prays. First for liberty; when that prayer is scattered on the wind, for change and stimulus; finally, half desperate, for a request small enough to act on: 'grant me at least a new servitude!' The supper bell calls her downstairs.

That night she lies awake while her roommate Miss Gryce snores, then talks herself through the practicalities: any one may serve, she has served at Lowood eight years, she only wants to serve somewhere else. Before sleep the plan arrives whole: advertise in the county Herald as J.E., post the letter at Lowton, collect any reply from the same post office. She writes the advertisement at dawn, walks two miles through rain to post it, and a week later returns to find one letter waiting. It is from a Mrs. Fairfax of Thornfield, near Millcote, offering thirty pounds a year for one pupil, a girl under ten. Lowood pays her fifteen.

Jane asks the new superintendent to broker references through Mr. Brocklehurst. He writes to Mrs. Reed as her legal guardian; Mrs. Reed answers that Jane may do as she pleases and that she has long since relinquished all interference in her affairs. After what feels to Jane like a tedious delay, references are issued, Mrs. Fairfax accepts, and a fortnight is fixed. Jane packs the same trunk she came from Gateshead in eight years before, cords it, nails on the card, and tries to rest the night before the coach.

A servant tells her a person is asking for her downstairs. It is Bessie, now Mrs. Leaven, married five years to the coachman Robert, with a boy of three and a baby she has christened Jane. They sit by the fire and Bessie reports on the Reeds: Georgiana went up to London, was admired by a young lord, planned to elope, was found out and stopped by Eliza, and the sisters now lead a cat and dog life; John was plucked at college and is too dissipated for the law; Mrs. Reed is uneasy in her mind over his spending. Bessie tests Jane on piano, painting, and French and pronounces her quite a lady. Then she mentions something Mrs. Reed never passed on: seven years ago a Mr. Eyre, almost certainly Jane's father's brother, called at Gateshead asking for her on his way by ship to an island where they make wine (Madeira), and Mrs. Reed turned him away and called him afterwards a sneaking tradesman. The next morning they part at the door of the Brocklehurst Arms in Lowton: Bessie sets off for Gateshead; Jane mounts the coach for Millcote.

In this chapter: Terms Characters Key Quotes Themes Modern Story

Why This Matters

Connect literature to life

Skill: Asking Until Something Answers

When big questions go unanswered, smaller ones can still move you forward. Jane advertises for a governess post, receives Thornfield, travels with Bessie to the coach, and parts from her at the Brocklehurst Arms while mounting alone for Millcote. Keep asking practical questions when existential ones stall, because motion itself can open the next chapter.

Coming Up in Chapter 11

A new chapter in a novel is something like a new scene in a play; and when I draw up the curtain this time, reader, you must fancy you see a room in the George Inn at Millcote, with such large figured papering on the walls as inn rooms have; such a carpet, such furniture, such ornaments on the mante

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Chapter 10

The Awakening of Desire

Hitherto I have recorded in detail the events of my insignificant existence: to the first ten years of my life I have given almost as many chapters. But this is not to be a regular autobiography: I am only bound to invoke Memory where I know her responses will possess some degree of interest; therefore I now pass a space of eight years almost in silence: a few lines only are necessary to keep up the links of connection. When the typhus fever had fulfilled its mission of devastation at Lowood, it gradually disappeared from thence; but not till its…

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Now let's explore the literary elements.

Key Quotes & Analysis

"my mind had put off all it had borrowed of Miss Temple—or rather that she had taken with her the serene atmosphere I had been breathing in her vicinity"

— Jane Eyre

Context: Alone in her room on the half-holiday after Miss Temple's wedding, Jane works out by evening that the calm she had taken for her own character was borrowed; with Miss Temple gone, the original restlessness has come back.

In Today's Words:

I realized my calm personality was actually borrowed from my mentor. Now that she's gone, my restless nature has returned full force. It's like how we sometimes absorb the energy of people we admire, thinking it's our own growth. But when they leave our lives, we discover who we really are underneath their influence.

"grant me at least a new servitude!"

— Jane Eyre

Context: When prayers for liberty and then for 'change, stimulus' yield nothing, Jane scales her wish down to the one thing she can plausibly act on: the same kind of work, somewhere else.

In Today's Words:

When total freedom seemed impossible, I scaled down my dreams to something realistic. At least let me find a different job, even if it's the same type of work. Sometimes we have to compromise our biggest dreams and settle for small changes that feel manageable and achievable.

"I desired liberty; for liberty I gasped; for liberty I uttered a prayer"

— Jane Eyre

Context: At the open window, looking past the garden to the blue peaks, Jane prays first for the largest version of her want before the prayer is scattered on the wind.

In Today's Words:

I craved complete freedom and independence with every fiber of my being. Working as a home health aide, I felt trapped by circumstances and desperately wanted to break free. Sometimes you reach a breaking point where you'll do anything to escape your current situation, even if you don't know what comes next.

"A phase of my life was closing to-night, a new one opening to-morrow"

— Jane Eyre

Context: The night before the coach leaves for Millcote, Jane has packed the same trunk she came to Lowood in eight years before and cannot sit still; she registers the change directly, without elaboration.

In Today's Words:

I could feel one chapter of my life ending and another beginning. Like packing up your apartment before a big move, everything felt final and full of possibility. Major life transitions have this strange energy where you're simultaneously closing doors and opening new ones, feeling both nostalgic and excited.

Thematic Threads

Independence

In This Chapter

Development

In Your Life:

When have you had to choose between financial security and personal freedom, and what did that decision teach you about what you truly value?

Self-discovery

In This Chapter

Development

In Your Life:

What moment in your life made you realize you were becoming the person you were meant to be, rather than who others expected you to be?

Social constraint

In This Chapter

Development

In Your Life:

What rules or expectations in your family, workplace, or community do you follow even when they conflict with your authentic self?

You now have the context. Time to form your own thoughts.

Discussion Questions

This is not a test. Five prompts guide you through the chapter, from how it opens to how it closes, so you notice context and rhythm rather than facts to memorize. Sit with each question in your own words. When you see "One way to read it," treat it as a starting point, not the only answer.

  1. 1

    Jane says she 'had imbibed from Miss Temple something of her nature' and that when she left, 'my mind had put off all it had borrowed of her.' What does this reveal about how people absorb the character of those they live near?

    ▶One way to read it

    Jane's calm and contentment at Lowood were not entirely her own formation but were partly a reflection of Miss Temple's presence, which she mistook for her own settled character. The discovery only comes when Miss Temple leaves, which means Jane had been shaped by proximity to someone without being aware of how much of her equilibrium depended on that person.

    analysis • surface
  2. 2

    Jane's prayer at the window descends in three steps: liberty, then change, then 'a new servitude.' Why does the smallest version of the wish become the one she can act on?

    ▶One way to read it

    Liberty and change are states with no clear first step attached to them, so they scatter on the wind as prayers rather than plans. A new servitude is specific: it means the same kind of work, a different house, a different employer, and it has a known entry mechanism, the newspaper advertisement, that Jane can use before breakfast.

    analysis • medium
  3. 3

    Why does Bessie's visit feel significant to Jane even though Bessie tells her mostly news of the Reeds?

    ▶One way to read it

    Bessie represents the last living link to Jane's childhood before Lowood, and the visit confirms that Jane has grown past the household that once measured her. Bessie testing her on piano, painting, and French and pronouncing her 'quite a lady' provides a private verdict from someone who knew Jane at her most diminished, which matters differently from anything Lowood can offer.

    analysis • medium
  4. 4

    Jane advertises under the initials J.E., arranges her own references, and negotiates the position herself with no family support. What does the specific practical sequence of steps she takes reveal about how independence is actually built?

    ▶One way to read it

    Each step Jane takes is the minimum viable action that opens the next one: the advertisement produces a reply, the reply requires references, the references require a superintendent's mediation, and so on through to the corded trunk and the morning coach. Independence in her situation is not a single decisive break but a chain of small, sequential logistics, each of which must be navigated carefully.

    application • deep
  5. 5

    Bessie mentions that a Mr Eyre called at Gateshead seven years ago looking for Jane, and that her aunt turned him away and called him a sneaking tradesman. Jane simply says 'Very likely' and lets the conversation move on. Why does she not press this detail harder?

    ▶One way to read it

    Jane is on the eve of her departure and her attention is entirely on the future she is about to enter, which may make an uncle she has never met feel abstract. She may also have learned from Lowood that pressing questions into territory others control rarely produces useful answers, and the detail lodges in her mind even if she does not pursue it.

    reflection • deep

Critical Thinking Exercise

Analyze how Brontë compresses eight years into a single chapter and consider what this narrative choice reveals about the relationship between time, growth, and storytelling. What events does she choose to summarize versus dramatize, and why?

Coming Up Next...

Chapter 11: Arrival at Thornfield

A new chapter in a novel is something like a new scene in a play; and when I draw up the curtain this time, reader, you must fancy you see a room in the George Inn at Millcote, with such large figured papering on the walls as inn rooms have; such a carpet, such furniture, such ornaments on the mante

Continue to Chapter 11
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Spring's Cruel Irony: Beauty and Death at Lowood
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Arrival at Thornfield
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What this chapter teaches

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  • Building Independence from NothingExplore the key chapters in Jane Eyre that teach us how to create a life and career starting with limited resources and support.
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